There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.

People don't want to be plagued by not knowing-they want answers.

Acting is really scary, but it's also challenging, fun, hard work. There's always an element of improvisation with every actor, even when something is really scripted.

There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.

I think Van Sant is the most important American director we have. He takes the most risks. He's just pure to me.

I feel that film, as opposed to theatre, is about capturing that one, real moment.

All these directors who do different locations forget that one room can be shot from a million different angles and a million different ways. When I direct a movie, I'm going to use that.

I think in some ways you learn more from the things you don't like than the things you do.

It sounds cliche, but success is your friends, your family, what you do, and if you're happy when you wake up.

When actors give their input, it can be very ego-driven, and directors are scared of that.

'Boardwalk' begins literally on the first day of Prohibition, which I think was a wonderful way to start - to have the story kind of come out of this massive historical phenomenon. And the more I researched the '20s, the more I discovered just how interesting it was.

'Boardwalk' has kind of exposed me to a different demographic. And it upped my skills in terms of the speed with which I can prep a scene, and I'm excited to apply that.

'Dawson's Creek' was my introduction to the industry. It put some money in my pocket and it put me in the position I wanted to be in, where I could audition for projects that I wanted to be a part of. I didn't find it creatively fulfilling in any way though.

'Dawson's Creek' was my introduction to the industry. It put some money in my pocket and it put me in the position I wanted to be in, where I could audition for projects that I wanted to be a part of. I didn't find it creatively fulfilling in any way, though. Working with artists excites me, but 'Dawson's Creek' didn't do that.

A kid now can practically record a song or edit a short film on his way to school. I think that will produce, perhaps, more less-interesting things - or you'll have to search more to find the interesting things. But I also think it's exciting.

Different films have different places in people's lives. I don't get to see a lot of films, so I want to watch films I learn from.

I don't get to see a lot of films, so I want to watch films I learn from.

I don't have a lot of time to surf the net and see what everyone's wearing.

I'm doing a record that has a story that runs through all of the songs, and then there is also a film that goes along with it.

I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good.

I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good. The main reason is not to make money, although at some points it's really difficult when you're broke.

Personally, I'm very classic. If I'm going to wear a suit, it's going to be classic, black, and fit very well. There's nothing like it.

There are directors who, their direction is high, but then when you challenge it, it crumbles. They can't back up what they're asking.

Well, the first thing I wanted to be was a carpenter. Then I wanted to be a painter and then a singer. It was when I first saw 'Lawrence of Arabia' that I wanted to be an actor.

I am not authorized to fire substitute teachers.

Removing substantial fuel loads from our forests helps prevent catastrophic fire and better protects species, watersheds and neighboring communities that call them home.

A thought often makes us hotter than a fire.

Envy like fire always makes for the highest points.

A leaf fluttered in through the window this morning, as if supported by the rays of the sun, a bird settled on the fire escape, joy in the task of coffee, joy accompanied me as I walked.

From each one of them rose separate columns of smoke, meeting in a pall overhead, and through the smoke came stabbing flashes of fire as German shells burst with thudding shocks of sound. This was the front line of battle.

Not too much, though there's a certain amount of rancour and bitterness when someone tries to fire you.

I was at this casino minding my own business, and this guy came up to me and said, "You're gonna have to move, you're blocking a fire exit." As though if there was a fire, I wasn't gonna run. If you're flammible and have legs, you are never blocking a fire exit.

In all feats of fire-eating it should be noted that the head is thrown well back, so that the flame may pass out of the open mouth instead of up into the roof, as it would if the head were held naturally.

Wise anger is like fire from a flint: there is great ado to get it out; and when it does come, it is out again immediately.

The bourgeois prefers comfort to pleasure, convenience to liberty, and a pleasant temperature to the deathly inner consuming fire.

The best training is to play by ear: trial by fire.

Being thrown into the fire and getting the thing turned around in a hurry made it more difficult. Things have been done the hard way. I think you learn better when things are done the hard way.

Under pressure, people admit to murder, setting fire to the village church or robbing a bank, but never to being bores.

Man is a fire-stealing animal, and we can't help building machines and machine intelligences, even if, from time to time, we use them not only to outsmart ourselves but to bring us right up to the doorstep of Doom.

You can fire your secretary, divorce your spouse, abandon your children. But they remain your co-authors forever.

Life is the fire that burns and the sun that gives light. Life is the wind and the rain and the thunder in the sky. Life is matter and is earth, what is and what is not, and what beyond is in Eternity.

It's not a party until the fire department shows up.

It is your business when the wall next door catches fire.

It is your concern when your neighbor's wall is on fire.

You don't sit up in a cave and write the Great American Novel and know it is utterly superb, and then throw it page by page into the fire. You just don't do that. You send it out. You have to send it out.

Take to every Gallon of Honey, three Gallons of water, and put them both together, and set them over so soft a fire, that you may endure to melt and break the honey with your hands.

There's nothing wrong with the car except that it's on fire.

When it came to political power, blacks need not apply. Add to this steaming stew the growing tensions over the Vietnam War and the movement for civil rights, and you had plenty of elements to fire the imagination of a novice journalist.

God, for example, appealed to me as a beardless man wearing a quilted silk cap; holiness was something burning, forbidding, something connected with fire while a day had the form of an oblong box.