But I don't have such a strong desire to need to get away from filmmaking.

You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.

I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.

One of the things I love about cinema is the range.

Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days.

Obviously, I try to make the films work for an audience. That's the main point of making a film, and in retrospect, one can see that certain films, let's say Leaving Las Vegas, demonstrated its own success.

I like to work my camera as if it were a musical instrument.

There's a sadness to the human condition that I think music is good for. It gives a counterpoint to the visual beauty, and adds depth to pictures that they wouldn't have if the music wasn't there.

In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material.

I'm a huge fan of world cinema, because each country uses cinema in a very individual way.

It's difficult working with very rich actors, because inevitably they become a little spoilt, and the managers and agents tend to control things more than is healthy.

You can do really slow movements with it, like zooming in for a minute and a half. The audience isn't aware that the camera has moved, but there's subconscious tension there.

Films take up so much time, and with theatre, you do have to plan a period of time that you can be free.

I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.

There's nothing I've done which I'm ashamed of or I thought was actually bad.

The world is an infinitely fascinating, tragic and humorous place.

I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.

I've spent my life hearing people trying to apologize for music.

I want the score to have a really big voice.

The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that.

In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form.

I might have a guitar or a piano on set to play something for the actors.

Then I became interested in drama, and almost by accident, I drifted into film.

I had no plans to be a director.

But I don't have such a strong desire to need to get away from filmmaking.

When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer.

I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.

I play piano and trumpet. I studied classical guitar.

The desire for liberty has also made itself felt as struggle against domestic tyranny or arbitrary rule.

I want the municipality to be a helping hand to the man with a desire of sympathy, to help the fallen when it is not in their power to help themselves.

A desire to be observed, considered, esteemed, praised, beloved, and admired by his fellows is one of the earliest as well as the keenest dispositions discovered in the heart of man.

We have no desire to convince anyone that there is only one way by which faith can be acquired.

But the deep desire for peace remained with the American people.

I have known more men destroyed by the desire to have wife and child and to keep them in comfort than I have seen destroyed by drink and harlots.

It was also during my tenure of office that the Japanese Government agreed to the conclusion of a Nuclear Non-Proliferation Treaty and signed it, pursuing a policy in harmony with the avowed desire of the people.

'Tis very certain the desire of life prolongs it.

One of the things that has always motivated me to write is the desire to get it out and look at it in an objective way, so that it doesn't cause me any serious pain by staying inside.

In human history, the desire for revenge and the desire for loot have often been closely associated.

I see Canada as a country torn between a very northern, rather extraordinary, mystical spirit which it fears and its desire to present itself to the world as a Scotch banker.

To be happy at home is the ultimate result of all ambition, the end to which every enterprise and labor tends, and of which every desire prompts the prosecution.

The genius of the economic machine is in its ability to convert these indulgences into profitability. It converts desire into attention, a grip on our eyeballs and eardrums, which in turn can be marketed to advertisers.

I don't know what keeps me going. Sometimes I wonder... I think it's just pure perseverance and wanting to succeed and having that burning desire to always have success.

If history and science have taught us anything, it is that passion and desire are not the same as truth.

It's a great mistake, I think, to put children off with falsehoods and nonsense, when their growing powers of observation and discrimination excite in them a desire to know about things.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I was interested in telescopes and the way they worked because I had an intense desire to see what things looked like, so I learned how to use telescopes and find things in the sky.

When you do portraits professionally it's not a desire, it's for money.

My desire, my passion, was to help moms with practical encouragement.

Sometimes I'm uncomfortable with the level of fame I've got! It all depends on the day and what's going on. I don't desire any more fame. I don't need it.