It's really important for the bass and the drums to somehow blend.

I want to take some jams and really concentrate on hooking up with Page because, since he's the only one not next to me, and his sound is mainly coming from my monitor rather than through the air, it's a little harder for me to hook up with him.

I'm not really satisfied with anything I have written to date.

Elektra has no control over the live show, at least.

I'm always interested in mixing technology and music. You know, maybe I'll have a MIDI bass pickup at some point, I don't really think that's the direction I would want to go.

Lately Fish and I have been hooking up more, which is a good thing because it's just been a struggle for me as a bass player to play with someone who's so creative on the drums, and lately it's been really good, especially during sound checks.

I think one thing that helped the sound change, it's a real subtle thing; it's just one switch on my bass, it has three positions, and I usually boost the mid-range frequency, I lowered the frequency that I boost, and that goes out to the sound system, too.

Last tour my bass rig was breaking down every other night. That was a pain. We would get on stage and Trey would count off the song, and I'd play the first note and nothing would be there. Those guys would just roll their eyes.

I want to get an handful of spare basses to use first of all if mine breaks, and second, to learn some things about aspects of basses that I like, so Paul can build those aspects into it.

I don't really have a favorite bass player. I listen to a lot of bluegrass. But then again, I'm not a typical bluegrass bass player. I was really into the Grateful Dead, and I still am - I don't listen to them too much, but for me they are a big influence.

This is my second bass that Paul built me. There were some changes that were made. Sometimes I think of changes that could be made having to do with both the sound and the feel. It's definitely a beautiful instrument.

I agree with the rest of the band, that a truly synthesized sound isn't really what I would want to go for.

It's really important for the bass and the drums to somehow blend.

I haven't written enough songs to be able to say that I have a system. I've only written a handful.

There's no way we could play a country song as well as a country band or a Latin song as well as a Latin band. We could never expect to do that. We just keep doing what we do, what we know how to do. We sound like ourselves.

I feel like I want to write some songs and I don't know how to go about doing it. Usually it's the lyrics that are a problem, and I think I am not really cut out to be a lyricist.

A lot of the great songwriters in history have been collaborators, with a separate lyricist.

Travelling to different countries is a goal. I wouldn't mind playing huge places if we got an opportunity to, but it's nice to play small places too. Fish was saying yesterday that he doesn't ever want to play stadiums, or maybe he would once, he said.

If part of the purpose of making an album is to get some radio play, then you might as well think about that. But that's not really how we picked the songs.

I like to be sort of grounded with Fish. But, at the same time, I think probably what's unique about us is the way other dynamics happen, where I'll play off Trey for awhile. When we start playing a jam, I don't usually know what's going to happen, I don't have a plan.

I'm not really allowed to talk about the Dead though. I think when we are at our best, we definitely do things that the Dead or no other band could do. We explore things and take things to the extreme.

We have been trying to play a lot of different kinds of music, and probably the next album will go back more towards the direction where you couldn't classify each song as a certain kind of music. This album you can.

The worst thing I could be thinking is how could I be a cool bass player.

Surrender to the flow.

The way that we imitate each others' riffs is something that other bands don't do as much. If we're jamming with a jazz band, or I am jamming with a jazz band, I have to catch myself, the tendency is always to do that.

Its really important for the bass and the drums to somehow blend.

When the farmer can sell directly to the consumer, it is a more active process. There's more contact. The consumer can know, who am I buying this from? What's their name? Do they have a face? Is the food they are selling coming out of Mexico with pesticides?

I've been working through Maurice Druon's 'Accursed Kings' series. They come highly recommended from George R. R. Martin, and for good reason.

Better do a good deed near at home than go far away to burn incense.

A dream without ambition is like a car without gas... you're not going anywhere.

I love Damien Hirst. I respect his work a great deal, and I am happy that the polka dots I started using have become a symbol of love and peace around the world with everybody joining hands to use them in this way.

I've started doing book reviews for Barnes & Noble! They saw that I did a lot of book reviews on the site, and they figured that it might not be a bad thing if they got me to do some for them as well. I gave them five categories I'd be interested in reviewing, from art to fiction to music.

I need to have better knife skills... for vegetables.

A doctor can bury his mistakes but an architect can only advise his clients to plant vines.

We need a reasonable price where producers will not start nagging. At a reasonable price, we can invest to produce more oil.

I'm not really into movies on dates because you can't chat it up.

I'm very low-maintenance, and that is a problem. I'm not demanding at all, and sometimes I feel that I should be throwing tantrums. But since I don't party or socialise, and am very low-key, I think that makes me very low-maintenance. Actually, I'm the most boring person at a party.

I have a hot memory, but I know I've forgotten many things, too, just squashed things in favor of survival.

I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.

I don't like forcing comedy and people just trying to do things just to find a funny beat all the time.

I started writing novels by not thinking about actually writing a whole novel - that felt altogether too daunting. I thought out a rough idea, then wrote chapter by chapter, and then by the time I'd hit 40,000 words, it was a challenge just to see if I could get to the end.

If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all off, and I think the reason for that is that music played a very important part.

I don't want people poking around in my private stuff. They've no business in it. My work is what I give to people, that's my job, and that's where it stops.

You can describe me as a Ice cream! I'm cold.. But, you know.. Ice cream is very sweet.

In a sense, having cancer takes you by the shoulders and shakes you.

Just the type of music that was around at the same time as I was writing. Some of it was wicked, definitely. But there was just one direction which I thought could be pushed that no one was pushing.

When there's people on the other side of the room trying to wipe out your life and things are stacked against you, you can get nervous.

Ronald Reagan became, you know, not only a Republican but a pretty conservative Republican - not the most. But a pretty conservative Republican. And he's somebody that I actually knew and liked. And he liked me. And I worked with him and helped him.

It's tragic that you can define a whole movement in music by gender alone. People are like, 'Oh, look, another quirky girl.'