Being the gateway to a large city, St. Louis, I had felt from the very beginning that somehow this building should symbolize this sense of being a gateway.

In other words, I have no truck for anyone who goes out and does an eclectic building.

We build buildings which are terribly restless. And buildings don't go anywhere. They shouldn't be restless.

I want to do very useful buildings and I would like to find a method of producing these buildings through our technology because I think that this is the only way that we will gain wonderful environment easily in the future.

If you look at the buildings, you'll find that one part looks as if it was designed by one man, and you go around and look at another facade and it looks as if it was designed by another man, you see.

And a building must be like a human being. It must have a wholeness about it, something that is very important.

And I think that the environment is one very strong way to counterbalance the chaotic nature of our life.

Because, if we understand how a building is to be produced and we find a way that it can be more simply produced, then obviously we are contributing to building better buildings more easily.

If you examine this, I think that you will find that it's the mechanics of Japanese architecture that have been thought of as the direct influence upon our architecture.

The World Trade Center is a living symbol of man's dedication to world peace... a representation of man's belief in humanity, his need for individual dignity, his beliefs in the cooperation of men, and, through cooperation, his ability to find greatness.

And I feel that we in our society should not be held by any such myth; that we should do everything we can to gain a delight and joy in our society with all the available parts of the palette.

And sometimes I'm criticized. But I think that if those who criticize us will look at the reason why the shape is this, well then, I think that they would not object so strenuously.

And exciting buildings are fine periodically.

So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.

In this tour around the world I was not interested in contemporary buildings because I had seen contemporary buildings actually until they came out of my ears in a sense.

The view outside was much more important than the exhibits.

In other words, each piece of the building must look as though it was designed for that particular building.

I believe that we must understand the economy of the situation.

If you have white walls, human beings look better in a room than if you have red walls.

Being the gateway to a large city, St. Louis, I had felt from the very beginning that somehow this building should symbolize this sense of being a gateway.

I can't do everything obviously although sometimes I know that all of us wish that we could.

And I like the idea of change. Because I don't see why we should hang a painting on the wall and then just not think of it anymore because it's there like a piece of furniture.

I feel this is very important for us to have serene buildings because our civilization is chaotic as it is, you see; our whole machine age has brought about a chaos that has to be somehow counterbalanced, I think.

The Wayne Education Building was the first classroom building that we have done on the Wayne campus.

Let's talk about the Gas Company because this is my favorite job.

Japanese architecture is very much copied in this country and in Europe.

I have been criticized rather strenuously by painters and sculptors for not incorporating their work in our buildings.

But now I know that it is very important that all buildings should be consistent, that this is the quality of the Gothic cathedral, for instance, that we like.

We build buildings which are terribly restless. And buildings dont go anywhere. They shouldnt be restless.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Before beginning, plan carefully.

Every new beginning comes from some other beginning's end.

The people who voted for President Obama are just beginning to wake up to exactly what they brought in. The 'change' they envisioned is not the 'change' they have gotten.

Religion has caused more harm than any other idea since the beginning of time. There's nothing good I can say about it. People use it as a crutch.

And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.

In the beginning it was all black and white.

A palindrome is a word or pattern that instead of developing in different directions it folds in on itself so that the beginning and end mirror each other, that they are the same.

Learning is the beginning of wealth. Learning is the beginning of health. Learning is the beginning of spirituality. Searching and learning is where the miracle process all begins.

At the beginning of 1955 only about 60 percent of American homes had TVs.

Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

What you really remember at the beginning was that you have to throw a budget together. We made some terrible mistakes at the beginning in my own budget that took us at least a year to catch up on.

There is a spirit and a need and a man at the beginning of every great human advance. Every one of these must be right for that particular moment of history, or nothing happens.

I am pleased to see that information campaigns, such as the America's WETLAND effort, are getting the message out, and people are beginning to realize that wetlands loss in Louisiana affects us all.

I started working on trying to sound like June from the very beginning.

The end comes when we no longer talk with ourselves. It is the end of genuine thinking and the beginning of the final loneliness.

Even though the future seems far away, it is actually beginning right now.