I'm always uneasy with messages. I think if there is a message, it's about taking control of your life. Not becoming a victim. Be true to yourself. In essence it's about love in the drug culture.

It was most exciting when people first came up on the stage and then when they came back for the encore. We wanted to make a show that kept on developing, that was interesting, so we tried to do that with our live shows.

She's a very charismatic character, and she holds the whole play together.

We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane.

I think there's an element where people get very comfortable in their ghetto. Which is fair enough.

To a certain extent, this tour is a celebration of individuality and that you can invent and reinvent yourself. You should have the power to be able to do that. Sexuality is a part of that. It should release you. It doesn't have to be an issue. It shouldn't box you in.

I think we've come a long way since then. The big thing that changed was when ecstasy came along in Britain.

We hope we are moving toward a world where sexual orientation is not an issue, because we hate the idea of a gay ghetto. I think that it's a real shame that people become restricted by their sexuality or define their whole lives by their sexuality.

He comes to London and gets a job in a nightclub, a gay club, where he's known as Straight Dave by the bar staff - and no one believes he's as straight as he claims to be. He meets the daughter of the club manager, and he has an affair with her.

Because some people have sex with people of the same sex, an entire culture has been created, broadly speaking, out of oppression. Which in a rational world would not be an issue.

The big gay clubs like Heaven started having mixed nights in the late '80s.

For a while we were chasing a book by Graham Greene to do Brighton Rock as a musical. We didn't get the rights, so we decided to create something from scratch, with Jonathan. By that time we were big fans of his work.

I'm always uneasy with messages. I think if there is a message, it's about taking control of your life. Not becoming a victim. Be true to yourself. In essence it's about love in the drug culture.

They've pursued their own agendas, and they've done what they've wanted to do and not pursued traditional careers in the music industry. They've followed their own instincts, and they are in many ways maverick performers.

I think the world should be one community.

The first song is called "London." It's about two Russian soldiers who desert the Russian army and escape to London, where they indulge in a life of crime.

We've been working on a new album, which is going to come out next spring, which is very different, a change of style for us - it's going to be almost like rock music.

There's also a subplot about a guy who manages pop groups. Dave is a very ambitious boy, and he gets offered an audition but only wants to do it on his terms and conditions. He wants to maintain his integrity.

A lot of what used to be known as gay culture - broadly speaking, homoeroticism and being camp - has been brought into mainstream culture. I think we should be moving to an era where it's just sex.

When I was I younger I didn't want to be gay. Not because I was scared of the sexual thing; I didn't want to be a clone. Now this was in the late '70s.

I didn't want to wear a checked shirt and grow a mustache - that's what you had to do, and everyone did.

When we did concerts, we wanted them to be theatrical events - collaborations with designers, choreographers, and directors - because we thought traditional rock concerts were boring.

We thought it would be great to see if you could put pop music back into musical theater.

Since we started, Chris and I had theatrical ambitions.

We shouldn't feel restricted by our sexuality, and our sexuality doesn't have to be a cultural choice. That's an amazing variety of music within those five main performers.

She's been a smack addict, she's had big success in Europe in the '70s, and she's lost everything. She's been rediscovered in the '80s, and as we meet her she's just about to sign a new recording contract.

At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.

The first song is called 'London.' It's about two Russian soldiers who desert the Russian army and escape to London, where they indulge in a life of crime.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

This means that to entrust to science - or to deliberate control according to scientific principles - more than scientific method can achieve may have deplorable effects.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

Plan Colombia was supposed to reduce Colombia's cultivation and distribution of drugs by 50 percent, but 6 years and $4.7 billion later, the drug control results are meager at best.

Control of vibrato helps your musical expression.

Is anarchism desirable? Well, who does not seek freedom? What man, unless willing to declare himself in bondage, would care to call any control agreeable? Think about it!

The transfer is a monumental occasion as the Iraqi people take control of their government and their future and forge ahead with creating a society governed by the tenets of life, liberty and freedom.

Let's say there are 500 sons and daughters like you in each state. Then we could control the government.

Until the control of the issue of currency and credit is restored to government and recognized as its most conspicuous and sacred responsibility, all talks of the sovereignty of Parliament and of democracy is idle and futile.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves.

It's frustrating not to have more control over your material.

This is the law of God by which He makes His way known to man and is paramount to all human control.

I'm very excited to see where the characters and their relationships go. But in the end, it really boils down to the people who have more power than me, who control the money.

Anger is a momentary madness, so control your passion or it will control you.

But in a broader sense, when I have more control, I want to expose people to new ideas.

My definition of success is control.

Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

My power is the ability to control water molecules and form them into ice.