If you respect the audience enough, they can take onboard many things.

We have to look forward and keep filming new films and not get stuck in the past.

If you respect the audience enough, they can take onboard many things.

I'm always there at home thinking of Wallace and Gromit ideas.

Gromit was the name of a cat. When I started modeling the cat I just didn't feel it was quite right, so I made it into a dog because he could have a bigger nose and bigger, longer legs.

We can do things that we never could before. Stop-motion lets you build tiny little worlds, and computers make that world even more believable.

Americans like the British kind of quirkiness and the strange accent. They find it kind of cute or something, with a certain charm.

There is something about the Australian psyche that seems to like films that are slightly offbeat.

When we first sold the Wallace and Gromit shorts to America, people suggested we get rid of the strange British accents and put clear American voices on them, and we held out.

After studying in Sheffield, I went down to London to do my post-graduate degree at the National Film and Television School, embarking on the movie that would eventually become 'A Grand Day Out.'

As I get on and films take four years to complete, I tend to have a hankering for very short projects so you can move on to the next idea. It's the ideas I'm interested in. What comes out of your head.

But I think people see 'Wallace and Gromit' as something akin to an elderly couple. These two know each other so well. Nothing can split them apart.

Get out and make films. There are so many cameras now to suit any budget, so there are no excuses.

I always considered Ray Harryhausen's work so fine that it was way out of my league: in terms of realism and naturalism, in terms of animal movement.

I have to admit to not being the greatest technician, but stop motion animation gives me licence to create machines that wouldn't otherwise be possible - inventions that seem real and actually work.

I used to get in trouble at school for day-dreaming.

I went back over the sketch books I'd filled at Sheffield for ideas and discovered Wallace and Gromit, except Gromit was a cat then. I made them into Plasticene shapes and started 'A Grand Day Out.' It took me longer than I expected.

Like my father, I would never as a child throw anything away, keeping old toys, electric motors and bits of broken machines under my bed in what I called my Box of Useful Things.

My colleagues and I have to constantly remind each other that we must keep our own view on the world while making films. With 'Chicken Run,' we learned how easy it is to be influenced by outside forces, but you mustn't lose the heart and soul of what you are doing.

My dream was to draw for 'The Beano.' When I was 10 years old, I started drawing cartoon strips with 'The Beano' in mind. I lived in that world. You own a comic, it's yours and adults don't understand it. You could pile them up under the bed, and if you were off school ill, you'd go through them all.

My father, an architectural photographer, was an incurable tinkerer, maker and mender.

The best films come about through experimentation.

The nice thing about animation is that you can realise your inventions without understanding all the hard theory.

There is no worse situation to be in than Oscar night. Not knowing whether you've won is completely draining.

Wallace and Gromit's contraptions are created purely for gags, but we all have the urge to invent - especially children. If they're bored, kids will make something from cardboard boxes, yoghurt pots, tape and elastic bands. Often, those constructions are the best.

When I was a teenager, my dad watched my films and told me I could go to art college and study animation. He made me see that I could do this for a living.

With some CGI, I think the brain slightly perceives that things aren't real. There's no gravity, the light's not quite real, the shadows aren't quite real.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

We all respect sincerity in our friends and acquaintances, but Hollywood is willing to pay for it.

Boldness and decision command, often even in evil, the respect and concurrence of mankind.

The sanctity of our battlefields, monuments, and veterans institutions is of utmost importance to preserve military history and pay respect to those who fought.

I respect the people who buy my records and come to my concerts. It's only fair that I always try to give them the very best that's in me. After all, I need them more than they need me.

I would rather take the role and work and make my own money and self respect than to have sex with someone who has a lot of money.

The reason it has relevance is because I, as a popular Arab personality - the Arab people like me and respect me - thought it was time for me to make an ever so tiny statement about what I thought about this whole thing.

The Epistle is a correction of profession without life, and most valuable in this respect.

I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.

Alabama citizens, like the vast majority of Americans, respect and value the meaning of decency, and appreciate public institutions that reflect the common values of our society.

I am not here to parade my religious sentiments, but I declare I have too much respect for the faith in which I was born to ever use it as the basis of a political organization.

My object will be, first, to show by what connections the history of the fossil bones of land animals is linked to the theory of the earth and why they have a particular importance in this respect.

It's nice to know that people appreciate and respect you.

If they respect the craft and what we're doing and they bring something to the table and they work hard, I don't care what you do as your side job or as your day job.

They all matter to me, whether I'm working on a Sam Jackson film for a week or I'm the star of my own TV series - I take it all very seriously, and I have a healthy respect for the work in general, despite the role.

With respect to the FBI, they had problems communicating in a vertical way, within the FBI itself, so that information of importance could get pushed up to those who were decision-makers.

I'm not religious, but I believe that what I have is a gift, and I respect it and live up to it.

I respect people who feel things passionately. I do. But when someone is a judge, that is not what they should bring to the bench. It is not really passion, except in rare instances, that serves the bench well. It is, rather, an ability to understand the law and follow it.

I cannot consistently, with self respect, do other than I have, namely, to deliberately violate an act which seems to me to be a denial of everything which ideally and in practice I hold sacred.

Treat everyone with respect and kindness. Period. No exceptions.

I was very concerned that President Bush is still trying to frighten or scare the American people with respect to the condition of the Social Security system.

The Arab-Israeli conflict is also in many ways a conflict about status: it's a war between two peoples who feel deeply humiliated by the other, who want the other to respect them. Battles over status can be even more intractable than those over land or water or oil.