Character and fate are two words for the same thing.

Christianity is the root of all democracy, the highest fact in the rights of men.

To become properly acquainted with a truth, we must first have disbelieved it, and disputed against it.

Only as far as a man is happily married to himself is he fit for married life and family life in general.

The artist belongs to his work, not the work to the artist.

Nature is a petrified magic city.

Character and fate are two words for the same thing.

We are more closely connected to the invisible than to the visible.

Where no gods are, spectres rule.

Poetry heals the wounds inflicted by reason.

Only an artist can interpret the meaning of life.

I often feel, and ever more deeply I realize, that fate and character are the same conception.

We never completely comprehend ourselves, but we can do far more than comprehend.

Learning is pleasurable but doing is the height of enjoyment.

Philosophy is properly home-sickness; the wish to be everywhere at home.

Every beloved object is the center point of a paradise.

Nothing is more indispensable to true religiosity than a mediator that links us with divinity.

A hero is one who knows how to hang on one minute longer.

Where children are, there is the golden age.

Knowledge is only one half. Faith is the other.

A character is a completely fashioned will.

We are near waking when we dream we are dreaming.

Accident is simply unforeseen order.

We are near awakening when we dream that we dream.

Christianity is the root of all democracy the highest fact in the rights of men.

We are on a mission: we are called to the cultivation of the earth.

The artist stands on the human being as a statue does on a pedestal.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.