But my problem with fantasy, and horror, and related genres, is that sometimes the problems are illogical.

I just knew there were stories I wanted to tell.

Religion kept some of my relatives alive, because it was all they had. If they hadn't had some hope of heaven, some companionship in Jesus, they probably would have committed suicide, their lives were so hellish.

No... a novel is a long business. I'm a slow writer, even when I'm doing very well I write slowly.

Fantasy is totally wide open; all you really have to do is follow the rules you've set. But if you're writing about science, you have to first learn what you're writing about.

I was raised Baptist, and I like the fact that I got my conscience installed early.

Most of us don't have to worry about being shot of we poke our noses outside. So we are comfortable, but the people I'm writing about are definitely not comfortable, and being shot while they're still inside is a good possibility.

Once you grow past Mommy and Daddy coming running when you're hurt, you're really on your own. You're alone, and there's no one to help you.

You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence.

Sometimes being a friend means mastering the art of timing. There is a time for silence. A time to let go and allow people to hurl themselves into their own destiny. And a time to prepare to pick up the pieces when it's all over.

I have a huge and savage conscience that won't let me get away with things.

So fantasy was fine early on, and when I discovered science fiction, I was very happy with it, because my first interest in science fiction came with an interest in astronomy.

And by the way, I wanted to point out that Kindred is not science fiction. You'll note there's no science in it. It's a kind of grim fantasy.

No, I think the future of humanity will be like the past, we'll do what we've always done and there will still be human beings. Granted, there will always be people doing something different and there are a lot of possibilities.

Writing is one of the few professions in which you can psychoanalyse yourself, get rid of hostilities and frustrations in public, and get paid for it.

I wasn't trying to work out my own ancestry. I was trying to get people to feel slavery. I was trying to get across the kind of emotional and psychological stones that slavery threw at people.

Well, writing was what I wanted to do, it was always what I wanted to do. I had novels to write so I wrote them.

While Fledging is a different type of book, The Parable series serve as cautionary tales. I wrote the Parable books because of the direction of the country. You can call it save the world fiction, but it clearly doesn't save anything.

And I have this little litany of things they can do. And the first one, of course, is to write - every day, no excuses. It's so easy to make excuses. Even professional writers have days when they'd rather clean the toilet than do the writing.

I began reading science fiction before I was 12 and started writing science fiction around the same time.

But my problem with fantasy, and horror, and related genres, is that sometimes the problems are illogical.

A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.

People have the right to call themselves whatever they like. That doesn't bother me. It's other people doing the calling that bothers me.

I was attracted to science fiction because it was so wide open. I was able to do anything and there were no walls to hem you in and there was no human condition that you were stopped from examining.

I recognize we will pay more attention when we have different leadership.

Here I was into astronomy, and here into anthropology, and there I go into geology. It was much more fun to be able to research and write about whatever I wanted to.

I would never have been a good scientist - my attention span was too short for that.

Science fiction let me do both. It let me look into science and stick my nose in everywhere.

I talked to members of my family, and did some personal research that didn't really have anything to do with the time and place I was writing about, but that gave me a feeling of the experience of being black in a time and place where it was very difficult to be black.

The thing about science fiction is that it's totally wide open. But it's wide open in a conditional way.

What I'm working on now - I'm back to fantasy, although considering that it's me, I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them; they were born that way.

No one was going to stop me from writing and no one had to really guide me towards science fiction. It was natural, really, that I would take that interest.

On the other hand, I was very much interested in the way people behaved, the human dance, how they seemed to move around each other. I wanted to play around with that.

Third, for people who aren't doing it already, take classes - they're worthwhile. Workshops or classes - a workshop is where you do actually get feedback on your work, not just something where you go and sit for a day.

Most of us don't have to worry about being shot if we poke our noses outside. So we are comfortable, but the people I'm writing about are definitely not comfortable, and being shot while they're still inside is a good possibility.

Civilization is the way ones own people live. Savagery is the way foreigners live.

Positive obsession is about not being able to stop just because you're afraid and full of doubts. Positive obsession is dangerous. It's about not being able to stop at all.

In order to rise from its own ashes, a phoenix first must burn.

Civilization is the way one's own people live. Savagery is the way foreigners live.

My interests were in fantasy more than comics growing up.

You can also make explicit certain social problems which, again, would be prejudged or not encountered at all in real life, because people have set up defenses against it. Fantasy allows you to get past defenses.

I love biomedical science, I love astronomy, and you can't really do much with those in a fantasy setting.

Fantasy is toxic: the private cruelty and the world war both have their start in the heated brain.

We in this Congress have a choice. The American people have a right to exercise a choice on this issue, as to whether our men and women will continue to fight and die in a war based on deception and fantasy, or to start bringing the troops home.

One fantasy is that I just do a Don Roos movie every year if that's possible. If he'd have me.

I mean, I don't know anything else that I would try to do, but it's a very frustrating thing to do, because you are trying to take what's a fantasy in your head and make it live through the minds of 200 people.

I think sex is very interesting for most people, but I'm interested in sex as a way of communication, I'm not that interested in the fantasy version of a sex scene.

There is no winning or losing, but rather the value is in the experience of imagining yourself as a character in whatever genre you're involved in, whether it's a fantasy game, the Wild West, secret agenst or whatever else. You get to sort of vicariously experience those things.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.