I see only defects because I'm not following the scene as it were. I'm not following the other person. It's like the best thing to clarify this is the theater.

The reason it has relevance is because I, as a popular Arab personality - the Arab people like me and respect me - thought it was time for me to make an ever so tiny statement about what I thought about this whole thing.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

This character in the film, these things that he says which sound like advice and wise things, they are very common for Orientals. It's all the tradition.

I love to be with my son and my grandchildren, like normal people. I have no particular idea of what I represent to other people. It's very mysterious to me. I don't understand it.

I can't say I gave up totally my passion for women but almost.

He read his mind. He's a strange sort of man, isn't he? It's not just the advice and the wisdom that he has.

Working gets in the way of living.

I want to live every moment totally and intensely. Even when I'm giving an interview or talking to people, that's all that I'm thinking about.

There are lots of wonderful old Italian actors. You don't need to take an Egyptian to play an Italian actor.

I see only defects because I'm not following the scene as it were. I'm not following the other person. It's like the best thing to clarify this is the theater.

I didn't want to be a slave to any passion anymore. I gave up card playing altogether, even bridge and gambling - more or less. It took me a few years to get out of it.

They didn't accept me theory - not a theory, but just a thought I had about this character. I noticed that this man only exists when the boy comes into the grocery.

Women know when they've got the menopause but men don't quite know. They know it afterwards.

This is one of the factors that also made me very much want to make this film, apart from the fact that I loved it. If the boy hadn't been Jewish and the man hadn't been Muslim, it wouldn't have made any difference to the film. I don't think it's relevant, really.

I don't know what sex appeal is. I don't think you can have sex appeal knowingly. The people who seduce me personally are the people who seem not to know they're seductive, and not to know they have sex appeal.

I don't know what women are attracted to. I can't tell, but certainly I have no notion of having sex appeal or being seductive in any way.

My philosophy is that when I go out of my room, I'm prepared to love everybody I meet, unless they're bad.

I'm very wary about giving advice. I think it's very dangerous to give advice to people, except if you know them very well.

I had too many big passions in life and it gets in the way of work. You can't concentrate properly on the one thing.

Fidelity is a virtue which should be frequently proved but not always.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

To do theater you need to block off a hunk of time.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I'm the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.

Do what you love to do and give it your very best. Whether it's business or baseball, or the theater, or any field. If you don't love what you're doing and you can't give it your best, get out of it. Life is too short. You'll be an old man before you know it.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

Sheer flattery got me into the theater. Flattery always works with me, particularly the flattery of women.

Actually, I didn't like Dartmouth very much, but the whole theater scene I really liked.

I think the cinema you like has more to do with silence, and the theater you like has more to do with language.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

In the theater, characters have to cut the umbilical cord from the writer and talk in their own voices.

You have to transmit to them what it's like being in the theater. And it has to come from somewhere inside you and not by being like what somebody did last year.

Unless an entire row of people got up in the middle of a performance and left the theater in disgust, I felt as though I hadn't done my job.

I'd also like to do a play. I've never done theater, and constantly changing and refining a performance is something I'd like to do, even though it may sound like work to some people - and it probably is work.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.

And I'm in favor of that because I have a gay son, who's a very successful theater designer.

Characters are an extreme form in Shakespeare's theater.

I started acting when I was 10, doing musical theater. I was a brunette at that time. I was always cast in all the exotic parts.

I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.

I really would rather have gone to New York, since all my training had been in theater, but I didn't have the guts to go there alone. I knew only one person in New York, and that was a man. What I needed was a woman. That's the way Southern girls thought.

I've always just gone with the best role, and I don't care if it's in theater, film or television.

Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.

I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.

I'm supposed to be a pretty good theater actor.

Journalism as theater is what TV news is.