My older brother Mike is an excellent trumpet player. By the time he was 12, he was playing around Kansas City in classical situations. He was already an amazing talent.

People sometimes say it takes a long time to become a jazz fan, but for me it took about five seconds.

I think I have a basic sound aesthetic that is in most of what I do.

The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.

My older brother Mike is an excellent trumpet player. By the time he was 12, he was playing around Kansas City in classical situations. He was already an amazing talent.

I think I represent a more left-wing view of what jazz is.

The first thing I learned was the theme from Peter Gunn.

Whatever my recorded output is, it's a reflection of a general love of music.

It's more about conception and touch and spirit and soul than whether my hardware was in place.

Jazz is not something that can be defined through blunt instruments. It is much more poetic than that.

I saw A Hard Day's Night 12 or 13 times.

I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted.

I hate the way chorus boxes sound.

I was able to work with the best musicians in Kansas City starting when I was really young.

Listening is the key to everything good in music.

I don't worry too much about the fundamentalist principles that are in almost any discussion about jazz.

From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles.

I realized that equipment really had little to do with why I sound like the way I sound.

I was deep in the zone of practicing almost constantly.

For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around.

I'm always inspired when there's a robustness to the material in front of me.

I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.

If you come to my house, you won't see a wall of trophies or things like that. I'm sort of 'on to the next thing' all the time.

The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.

There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.

What I look for in musicians is a sense of infinity.

When talking about writing, I often use the analogy of archaeology. There are these great tunes all around. Your skill as a musician allows you to pick them out without breaking them.

The education of my brother and myself was of paramount importance to my parents, and in addition to their strong encouragement, they were prepared to make any sacrifice to further our intellectual development.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

P.C. is just too Big Brother - telling me how I should act and feel.

I hated Chris, my brother. I would pull his hair and kick him, until one day my father gave him permission to fight back. I'll be apologizing to him for the rest of my life.

In high school and college all my friends and my brother wrestled.

I just did a picture book called The Wildest Brother on Earth, and you will find both of my children in there.

My brother and I were meditating before we were 6 years old, having to stare at the wall and chant.

I plan to go to college in Southampton, a fishery studies college. Again, my brother was down there about two years ago and he said it was great, so I'm looking forward to that.

I don't want to come off like the jealous brother who wasn't getting the attention, but it was like no one was really into me anyway. I wasn't really a priority.

As I have discovered by examining my past, I started out as a child. Coincidentally, so did my brother. My mother did not put all her eggs in one basket, so to speak: she gave me a younger brother named Russell, who taught me what was meant by "survival of the fittest."

My brother Cody is 19. He wants to stay out of the limelight and become a lawyer. I want him to be an entertainment lawyer, so he can help me out!

My brother and sister are both older than I am and were born before my father went off to World War I.

Teenagers too often have to deal with loss and death. You had to cope with the untimely death of your brother; how can young people deal with such tragedies?

My favorite Oscar story was a year my brother had been nominated, my whole family went.

No one could understand the bond between me and my brother. I struggled to understand the forces that drove his soul in one direction and mine in another.

I just had to find something else to fulfill me. Always being a singer and writing, it was a blessing. My brother started making music that was the kind of music I always saw myself singing.

So, my big brother was playing guitar and I figured I'd try it too.

I, Lawrence Klein, was born in Omaha, Nebraska, as were my elder brother and younger sister.

My birth neither shook the German Empire nor caused much of an upheaval in the home. It pleased mother, caused father a certain amount of pride and my elder brother the usual fraternal jealousy of a hitherto only son.

If you want to know how your girl will treat you after marriage, just listen to her talking to her little brother.

We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.

I haven't seen a professional player come out of New York in over 20 years since my brother Patrick came out. Blake spent a few years in Harlem, but he moved to Connecticut when he was a kid.