I believe the Rolling Stones wanted to play in Golden Gate Park.

The studio scene in California is sort of ridiculous anyway.

You couldn't have fed the '50s into a computer and come out with the '60s.

I believe the Rolling Stones wanted to play in Golden Gate Park.

The '80s seem a real positive force. The '70s were deadening, in a lot of ways.

Then you get to be involved with all the people, meet all the beautiful girls, get all the good food, get ready and locked in before all the crowds hit.

I wouldn't have expected an audience of ours to burn down our equipment.

We printed all the words out because otherwise nobody would be able to understand them.

One of the main things we learned as a band in those days was not to be the headliner.

What we're saying now is you have a choice: You can stay, or you can go away.

Correcting it, I don't know; just shedding the light of day on it is a first major step, being one of the earliest generations not to just accept the words.

We're giving RCA another record, and that should finish them.

When we toured... I was hungry to take out people like Jeff Beck in front of us; Fleetwood Mac, just before they hit; Heart, just before they hit.

If you can remember anything about the sixties, you weren't really there.

The starship thing is really political action and reaction, the natural outgrowth of Volunteers.

I don't blame it on the Hell's Angels. I blame it on the people who were there.

Maintain yourself and everything maintains itself around you.

You can't plan for the future, because some guy's going to land in a spaceship with three heads and a big beak and take over everything.

Compared to what they were, rock concerts now are like business meetings.

There's that thing about the '80s, the '40s and the '60s, and the '30s, the '50s and the '70s. Something about those odd decades in this century that weren't too pleasant.

It's a lot of random situations that combine in a certain volatile form and create a bigger-than- the-whole situation that nobody could have predicted.

I was raised by the Christian Brothers, who believe in that, fortunately. They were, to me, the most rebellious arm of the Catholic Church - and one of the most liberal and forward thinking.

I think most non-Christians who try to be good people are probably better Christians than Christians.

You can't just sit around and make protest albums all your life; eventually it comes to the point where you have to do something.

San Francisco is 49 square miles surrounded by reality.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.

There is an audience for every play; it's just that sometimes it can't wait long enough to find it.

I'll play it and tell you what it is later.

I wish the Libertarian Party would get more play in the media but they don't.

I don't feel right unless I have a sport to play or at least a way to work up a sweat.