I certainly am interested in accessibility, clarity, and immediacy.

For whatever reason, people, including very well-educated people or people otherwise interested in reading, do not read poetry.

Living at that pitch, on that edge, is something which many poets engage in to some extent.

I believe that these devices like repetition and rhyme are not artificial, that they're not imposed, somehow, on the language.

The other side of it is that, despite all that, people reach out to poetry at the key moments in their lives.

We simply have not kept in touch with poetry.

One will never again look at a birch tree, after the Robert Frost poem, in exactly the same way.

I do a lot of readings.

Words want to find chimes with each other, things want to connect.

I'm sure 50 percent of television ads use rhyme.

It seems to me the structure of the Quartets is too imposed.

I was born in Northern Ireland in 1951. I lived most of my life there until 1986 or 1987.

That's one of the great things about poetry; one realises that one does one's little turn - that you're just part of the great crop, as it were.

I certainly am interested in accessibility, clarity, and immediacy.

Of course, you can't legislate for how people are going to read.

The ground swell is what's going to sink you as well as being what buoys you up. These are cliches also, of course, and I'm sometimes interested in how much one can get away with.

Your average pop song or film is a very sophisticated item, with very sophisticated ways of listening and viewing that we have not really consciously developed over the years - because we were having such a good time.

I suppose for whatever reason I actively welcome being put down, something which perhaps goes back to my upbringing - that accusation of not being worthy which could be laid at one's door.

What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up.

On the other hand, at some level the mass of unresolved issues in Northern Ireland does influence the fact that there are so many good writers in the place.

I live in New Jersey now, which always gets a bad rap here and there, but I must say, I enjoy living here too.

Frost isn't exactly despised but not enough people have worked out what a brilliant poet he was.

Obviously one of the things that poets from Northern Ireland and beyond - had to try to make sense of was what was happening on a day-to-day political level.

At high school, instead of the weekly essay, I would write a poem, and the teacher accepted that. The impulse was one of laziness, I'm certain. Poems were shorter than essays.

Believe it or not, one of the first poets I was aware of was Yeats. I recited 'The Lake Isle of Innisfree' at a verse speaking competition when I was eight or nine.

I met Seamus Heaney and Michael Longley on the same day in 1968. I was sixteen at the time. Very exciting. They were reading at Armagh. One of my teachers brought me to meet them, introduced me, and I became friends with them.

I read a lot of nineteenth-century French poetry. And Irish poetry from the ninth century on.

If the poem has no obvious destination, there's a chance that we'll be all setting off on an interesting ride.

I must stress here the point that I appreciate clarity, order, meaning, structure, rationality: they are necessary to whatever provisional stability we have, and they can be the agents of gradual and successful change.

I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream.

For me the greatest beauty always lies in the greatest clarity.

Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.

Gratitude unlocks the fullness of life. It turns what we have into enough, and more. It turns denial into acceptance, chaos to order, confusion to clarity. It can turn a meal into a feast, a house into a home, a stranger into a friend.

When you take a pitch and line it somewhere, it's like you've thought of something and put it there with beautiful clarity.

You could write a song about some kind of emotional problem you are having, but it would not be a good song, in my eyes, until it went through a period of sensitivity to a moment of clarity. Without that moment of clarity to contribute to the song, it's just complaining.

Although our intellect always longs for clarity and certainty, our nature often finds uncertainty fascinating.

Anything well written with good language and clarity and honesty is worth doing. It comes out of the same tradition as Shakespeare.

They place great stress on the clarity of our language for expressing nuances and showing subtleties.

When I speak of the beauty of a game of chess, then naturally this is subjective. Beauty can be found in a very technical, mathematical game for example. That is the beauty of clarity.

It is still not enough for language to have clarity and content... it must also have a goal and an imperative. Otherwise from language we descend to chatter, from chatter to babble and from babble to confusion.

As I began to discover my own truth and endeavored to possess it with clarity, I became more and more alienated from that which my companions held, or professed to hold.

Children are remarkable for their intelligence and ardor, for their curiosity, their intolerance of shams, the clarity and ruthlessness of their vision.

Your mind, while blessed with permanent memory, is cursed with lousy recall. Written goals provide clarity. By documenting your dreams, you must think about the process of achieving them.

The two most important things that can be done to promote democracy in the world is first, to bring moral clarity back to world affairs and second, to link international policies to the advance of democracy around the globe.

Clarity affords focus.

What will become compellingly important is absolute clarity of shared purpose and set of principles of conduct sort of institutional genetic code that every member of the organization understands in a common way, and with deep conviction.

Clarity is the counterbalance of profound thoughts.

And how is clarity to be achieved? Mainly by taking trouble and by writing to serve people rather than to impress them.

That inner voice has both gentleness and clarity. So to get to authenticity, you really keep going down to the bone, to the honesty, and the inevitability of something.