She kind of reminds one of Helen. There's something very similar about Elizabeth Perkins.

Having a baby dragged me, kicking and screaming, from the world of self-absorption.

But at the same time that the experience is pulling you apart, it's also bonding you. You have this joint venture! You both made this baby. And that's the thing I still can't get over.

But I really felt that, something about the lights going down, and the sense of community. I saw this movie at one festival, and there were 1700 people.

We had the boy's name picked out, but we didn't have a girl's. When he turned out to be a boy, we were so relieved. Literally, in the middle of contracting and pushing, and with my wife being drugged - out and half - lucid, we were still coming up with names.

In the original draft I was 27 and Peter was 55 in the script. That's not the same as a guy in his 40s and a dad in the end of his 70s. It's a different point in both our lives.

But the two of them together, broke my heart. Olympia and Peter, those scenes... When they're kissing in their 20s and then kissing in their 70s, that's what it is. And they had never met five minutes before they shot those scenes.

Field of Dreams is the only movie - and I saw it in the theater - on an afternoon when I was on location somewhere, and there were like 12 people in the theater. I was just so devastated; I couldn't get out of my seat. And I sat and watched it a second time.

He was born early. But he was born within a safe range of premature.

The biggest thing I remember is that there was just no transition. You hit the ground diapering.

There's something that happens in that delivery room, when a woman becomes ten times more a woman, and a guy becomes six times less a man. You feel really dopey and useless and like a spectator. I did, anyway.

She kind of reminds one of Helen. There's something very similar about Elizabeth Perkins.

I'd distract myself until finally it was a combination of things. The show was over and I had time on my hands. I had taken time and played and just relaxed.

Nothing would make me happier if Peter Falk would finally win his Oscar for this. Not just as the writer but as a fan and a friend. It would be so great.

And after you've done the acting, there's a lot of places you can put your input - in the editing, in the production of it, in the rewriting of it and so on.

Not only do I sing to him, I sing entire conversations. You become Jerry Lewis.

They're not the sharpest people - babies. So, you must be everything to them.

We have such a long, familiar history with Peter Falk. The minute his mug is on that screen people smile.

We made this movie for $17, and nobody got anything. So it never dawned on me that we would get real people.

It's not like some movies where you're following a bunch of different stories you can cut around. There was nowhere to cut to. It's these guys. We're not cutting back to anybody else.

In fact, I had the idea because of Peter Falk. I saw my dad watching a Peter Falk movie and something clicked in my head. I gotta go make a movie for Peter Falk and me.

Every time I see Peter Falk in the movie I think that would be great. We'd be fun together.

This is not the most right I've ever been.

I'd never directed before and this movie's too important to me to put in the hands of some guy who has never directed. Even if it's me.

I remember my wife and I used to get on plane and see everybody else with their babies. They'd be putting strollers and car seats up above, and we'd think: Oh, please Lord, don't make us go through that.

And in that time, I lost my dad and had kids of my own. It was like, OK, I get it now. I know what fatherhood is all about. And you look at your parents differently.

Upstate New York in the middle of October. You can't get more beautiful than that.

But you get past that and realize you have to let go of what you think you want. There'll be plenty of time for that later. Right now, go and be with that baby. Just play with this beautiful little boy.

Theyre not the sharpest people babies. So you must be everything to them.

Once in a while you get a moment of clarity an inspiration and they dont come that frequently.

He was born early. But he was born within a safe range of premature

Such a one do I remember, whom to look at was love.

I don't live with the 'right' people. I don't want to. I don't want to live with the rich in Beverly Hills or walk the streets of Hollywood. I want to go to K-mart and get good deals.

Don't mistake niceness for weakness.

I say, if you believe what you read in the comic strips, then you believe that mice run around with little gold buttons on their red pants and drive cars.

The Duplass brothers do that so well - that very simple, very horrifically awkward comedy.

We need to be united, and we all need to understand that we're all capable of achieving the American dream. And, but that has to be something that is self-realized. And also, to demonize someone for achieving the American dream is unfair.

If you don't have enemies, you don't have character.

I think that it's okay to be mad at someone who hurt you. This isn't about, like, the pageantry of trying to seem like nothing affects you.

Everybody - even huge movie stars - have downs. That's just how it is. The work ebbs and flows. My manager and I were saying, 'Let's remember that in 2013 we were soooo busy.' So whenever it is that we're not, maybe it'll come back again. Maybe it won't. But you've gotta love the ride.

Dignity belongs to the conquered.

Coming together is a beginning. Keeping together is progress. Working together is success.

If you believe it will work out youll see opportunities. If you believe it wont you will see obstacles.

TUESDAY Just another word for Monday.

We noticed that the most popular videos at YouTube showed people making things.

That which is so universal as death must be a benefit.

I seem to be landing really great locations on a lot of my work. I hope that continues, knock on wood.

'The Green Turtle' was created in the 1940s by a cartoonist named Chu Hing, one of the first Asian Americans to work in the American comic book industry.

Power and wealth are not two of my main stakes.