Extensive traveling induces a feeling of encapsulation, and travel, so broadening at first, contracts the mind.

Writing is pretty crummy on the nerves.

The Australian Book of Etiquette is a very slim volume.

Extensive traveling induces a feeling of encapsulation, and travel, so broadening at first, contracts the mind.

Gain a modest reputation for being unreliable and you will never be asked to do a thing.

The Japanese have perfected good manners and made them indistinguishable from rudeness.

I cannot make my days longer so I strive to make them better.

Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art.

You define a good flight by negatives: you didn't get hijacked, you didn't crash, you didn't throw up, you weren't late, you weren't nauseated by the food. So you are grateful.

It is usually expensive and lonely to be principled.

There are probably more annoying things than being hectored about African development by a wealthy Irish rock star in a cowboy hat, but I can't think of one at the moment.

Travel is glamorous only in retrospect.

Tourists don't know where they've been, travelers don't know where they're going.

Fiction gives us a second chance that life denies us.

The Peace Corps is a sort of Howard Johnson's on the main drag into maturity.

Hawaii is not a state of mind, but a state of grace.

A gun show is about like-minded people who feel as if everything has been taken away from them - jobs, money, pride.

A journey awakens all our old fears of danger and risk. Your life is on the line. You are living by your own resources; you have to find your own way and solve every problem on the road.

A novel captures essence that is not possible in any other form.

A place that doesn't welcome tourists, that's really difficult and off the map, is a place I want to see.

A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time; having a miserable time, even better.

A travel book is about someone who goes somewhere, travels on the ground, sees something and spends quite a lot of time doing it, and has a hard time, and then comes back and writes about it. It's not about inventing.

Africa is really a place for the wealthy traveler. It's got some nice hotels, but they're very expensive hotels. It doesn't really cater to the backpacker or to the overland traveler.

Although I'm not fluent in sign language by a long way, I could have a fairly decent conversation.

An island is a fixed and finite piece of geography, and usually the whole place has been carved up and claimed.

Anything is possible on a train: a great meal, a binge, a visit from card players, an intrigue, a good night's sleep, and strangers' monologues framed like Russian short stories.

Because of my capacity for listening to strangers' tales, or the details of their lives, my patience with their food and their crotchets, my curiosity that borders on nosiness, I am told that anyone traveling with me experiences an unbelievable tedium, and this is why I choose to travel alone.

Ever since childhood, when I lived within earshot of the Boston and Maine, I have seldom heard a train go by and not wished I was on it.

Fiction gives us the second chances that life denies us.

Fiction writing, and the reading of it, and book buying, have always been the activities of a tiny minority of people, even in the most-literate societies.

Friendship is also about liking a person for their failings, their weakness. It's also about mutual help, not about exploitation.

Henry Miller, Jack Kerouac, Albert Camus, Graham Greene - they influenced my life to a profound extent.

I am happy being what I am.

I believe I have a sunny disposition, and am not naturally a grouch. It takes a lot of optimism, after all, to be a traveler.

I can't predict how reading habits will change. But I will say that the greatest loss is the paper archive - no more a great stack of manuscripts, letters, and notebooks from a writer's life, but only a tiny pile of disks, little plastic cookies where once were calligraphic marvels.

I don't look down on tourism. I live in Hawaii where we have 7 million visitors a year. If they weren't there, there would be no economy. So I understand why a tourist economy is necessary.

I feel as if my mission is to write, to see, to observe, and I feel lazy if I'm not reaching conclusions. I feel stupid. I feel as if I'm wasting my time.

I grew up in an era of thinking of travel as escape. The idea that you could conceivably have a new life, go somewhere, fall in love, have little children under the palm trees.

I hate vacations. I hate them. I have no fun on them. I get nothing done. People sit and relax, but I don't want to relax. I want to see something.

I have always felt that the truth is prophetic, and that if you describe precisely what you see and give it life with your imagination, then what you write ought to have lasting value, no matter what the mood of your prose.

I have spent my life on the road waking in a pleasant, or not so pleasant hotel, and setting off every morning after breakfast hoping to discover something new and repeatable, something worth writing about.

I know there are writers who feel unhappy with domesticity and who even manufacture domestic turmoil in order to have something to write about. With me, though, the happier I feel, the better I write.

I like the idea of isolation, I like the idea of solitude. You can be connected and have a phone and still be lonely.

I loathe blogs when I look at them. Blogs look, to me, illiterate. They look hasty, like someone babbling.

I should start by saying that traveling in the States is a bit like traveling in Asia. You need it, it helps to have an introduction - that there is a certain network.

I think I am typical in believing that the Peace Corps trained us brilliantly and then did little more except send us into the bush. It was not a bad way of running things.

I think I understand passion. Love is something else.

I think people read travel books either because they intend to take that trip, or because they would never take that trip. In a sense, as a writer you are doing the travel for the reader.

I think that love isn't what you think it is when you're in your twenties or even thirties.