I don't really wanna talk about politics, I'm not clever enough.

Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.

I don't really wanna talk about politics, I'm not clever enough.

I think politicians are so far out of step with what people really want.

I think people are just really disappointed, disappointed with Blair as well, who's just like Bush's lapdog. I think everyone's just disillusioned with politics in our country, and it must be the same in your country.

'Ageism,' or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. 'Oh, they're too old to make films or write books.'

All my children inspire me in life, and that always comes out in the writing.

Being a musician is a noble profession.

Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.

For me, the best thing I can do is play live. The best way for me to put over what I'm trying to do is to play live. Whether it's an acoustic show, electric or whatever... if I shine at all, that's where it all really happens - it just took me a while to rediscover that.

Going to college was never an option. I was passionate about music, but how much talent I actually had was another matter.

I am aware of the words 'national treasure' being attached to me occasionally. It just makes me feel old.

I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.

I don't like the royal family, I don't like the establishment, I don't like the civil service.

I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really.

I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.

I get labelled as just being about one thing, but there's lots of layers to what I do.

I get labelled as just being about one thing, but there's lots of layers to what I do. It's just lazy journalism, but people start to accept it. If people spent an hour in my car driving around London and listening to the stuff I listen to, they'd hear some interesting stuff.

I had a total belief in The Style Council. I meant every word and felt every action.

I hear an album so many times during the course of making it that when I've just finished it, I don't want to hear it again. After you've taken a little bit of time away from it, you can come back to it, which can be scary. I'm happy with 'Sonik Kicks,' man.

I kept the first Rickenbacker I ever got, a little short-scale John Lennon-type model. And I've got a couple of 12-string models, which are really nice, and I've got a Pete Townshend model, which Pete gave me a few years ago. But that's about it.

I never saw myself as a spokesman for a generation. It was all a bit heavy for me. I saw myself as a songwriter and wrote for myself, which I still do, and I also wanted to communicate with my audience.

I really enjoy playing America. I like the audiences there. It's the home of a lot of music I grew up with.

I still love playing music. It was all I ever wanted to do, and I got the chance to do it.

I suppose I was much more serious-minded in the '70s and '80s.

I take my hat off to people like the Stones, but it's not for me. I couldn't do that. Jagger is brilliant and long may he rock. I couldn't make my career out of old songs; it would do my head in.

I think I come from a time when all the artists I grew up with and I loved always used to try and push the boundaries, and there doesn't seem so much of that, really.

I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.

I want to hear as much music as I possibly can before I leave this mortal coil but it's impossible to hear it all because there's so much of it.

I want to see where and how far I can go as an artist. I look back and see what I've done, and I want to do as much as I can in my lifetime. I love doing it. If I didn't have that passion or love for it, I wouldn't do it.

I was always taught as a kid that if there's anything you want in life, you've got to work towards it. I guess that sort of stayed with me, really. But also, for me, from the time I was, like, 10 years old, all I ever wanted to do was be in a band and make music.

I was such a massive fan of all the '60s pop bands, but if I had to single out one band, it would definitely be The Beatles.

I wear jeans and a T-shirt sometimes. I just like clothes - since the first time I can remember, like age ten or eleven; I was just obsessed with music and clothes. Just like a lot of people in England from my generation.

I'm always looking for something. Not in an unhappy way. I just like to try different things. I don't want to be morbid, but I'm not getting any younger.

I'm fine with being thought of as a guitar player, and if I can get any recognition or respect for doing that, that's a pretty good thing for me.

I'm not big on rap, to be honest. I just don't get it. It's angry people shouting. I like a song, melodies, people singing.

I'm so lucky, I'm just really grateful for what I've got around me - children and my wife and everything else.

I'm sure there's a subconscious 'go for it' thing with turning 50. You want to do as much as possible and there are thoughts of how little time we have on the planet. For a lot of musicians in their 50s, the best days are behind them. I'd like to try and show that there is a future.

I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.

I've always had self-belief, though my sensitive side has never been fully appreciated. For every 'Down in the Tube Station at Midnight,' I've written an 'English Rose.' People forget.

I've always liked my clothes, even before I could properly afford them. Clothes for me were never a cloak, a cover. They were how I chose to express myself.

I've bought clothes based on record covers. Particularly from the formative music that turned me onto it in the first place when I was a kid, with the Beatles and the Small Faces. A lot of those Sixties soul artists were in really sharp sharkskin or mohair suits, and Motown artists looked amazing.

I've not had Botox, no.

If you're into a certain band, you're into the way they dress.

If you're making music, you must want to turn other people on to it, whether you're number one in the charts or number 60. I don't know, that's a commercial thing, but just the fact that other people like you... there's no point in making music, otherwise. Otherwise, you might as well make it in your bedroom and leave it there.

In all honesty, I don't know what one song can change.

In my old age, my mind gets more open, and I listen to so many different types of music and I guess that all reflects in my work.

In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.

It is nice to make a record and people like it, and it's encouraging.