The monsters are in your own head.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

I hope and believe we are paving a better future for female artists to come.

I'm used to adversity and working really well in difficult situations. It was hard for me to accept the success.

The flower has opened, has been in the sun and is unafraid. I'm taking more chances; I'm bold and proud.

I'm glad I made a piece of art that can be interpreted so widely. Art is always interpreted subjectively.

For me music is a vehicle to bring our pain to the surface, getting it back to that humble and tender spot where, with luck, it can lose its anger and become compassion again.

I don't like to sit and bask in my own awards. Awards represent artistic death to me.

When you're a plebeian you want success, and when you're successful you want to be a plebeian again.

Just watching my cats can make me happy.

I've left Bethlehem, and I feel free. I've left the girl I was supposed to be, and some day I'll be born.

Feminists were psyched that I had armpit hair.

The older I get, the more I see that there really aren't huge zeniths of happiness or a huge abyss of darkness as much as there used to be. I tend to walk a middle ground.

The monsters are in your own head.

Being a writer is a very private, internal process. Ultimately I am more the writer, being an introvert.

But at the age of 44, I sure hope to be a better businesswoman. I want to get the music straight to my fans.

But looking back, the fact was that I had a couple of big hits too quickly and it was simply too much for an introvert like me to handle.

Didgeridoo was something I picked up while I was on tour in Australia with Peter Gabriel in '93. I found out later that it's only meant to be played by men.

I find that the older I get, the more I see that there really aren't huge zeniths of happiness or a huge abyss of darkness as much as there used to be.

I like doing the crossword puzzle in the New York Times, not watching E! on TV.

I see my albums as working diaries, as living scrapbooks of me and my life.

I struggled with being in the public eye, losing my anonymity when my star rose quickly in the late 90's. But I need the challenge of showing up and getting up there to spill my guts and connect with my loyal folks.

I think it's important to find the little things in everyday life that make you happy.

I think of my shows as family reunions. I give 100% every time. I just do. It's a huge therapeutic release. Also I love my touring family. And I love my audiences very much.

I wanted to be a cheerleader, like my sister was - all the most popular and beautiful girls are cheerleaders and I wanted that, and it demolished this vision of myself. That's when I found the piano, when music saved me; that's when I first attempted to write my own songs.

I was curious and hungry at a young age, and jazz was such a mystery to me, an ocean where you can express yourself in the moment. It represented freedom, it represented wearing wings and going somewhere with music.

I'm a songwriter who's put my childhood memories and teenage angst into songs.

I'm accepting I'm not living that younger, dreamed version of myself in the big city.

People have become less discriminating listeners, which is tragic, really. There's a lot of emperor's new clothes out there, whether they're female or male solo acts. That bothers me. It's hard to break through, and it's like climbing Mount Everest if you actually do.

Walking is magic. Can't recommend it highly enough. I read that Plato and Aristotle did much of their brilliant thinking together while ambulating. The movement, the meditation, the health of the blood pumping, and the rhythm of footsteps... this is a primal way to connect with one's deeper self.

The monsters are in your own head

Our planet is a tiny atom in god's kingdom.

I'm not an actress. I just have to be myself.

In 1974, the modeling world changed. Jerry Ford and my lawyer negotiated the deal for the first exclusive contract in modeling history.

If you look at the success of snowboarding in the Winter Games and how that's brought a more youthful edge to the Olympics in general, they don't have that with the Summer Games. They don't have anything that's drawing in a younger viewership.

If I am elected leader, my shadow opposition team will actively incorporate the policy contributions of all our members by instituting policy action committees as recommend by the 2010 National Review.

'Smallville' was my first love and it is always close to my heart.

You don't know what bravery is until you overcome fear.

Love looks not with the eyes, but with the mind, And therefore is winged Cupid painted blind.

These displays of affection mean a lot to our family and are a reminder of the heart that my people have. In this time of grief we ask for a little privacy and space to digest this news; our sister was our sun and we are broken by her departure.

Above all, the translation of books into digital formats means the destruction of boundaries. Bound, printed texts are discrete objects: immutable, individual, lendable, cut off from the world.

I am not responsible for the financial crisis, I hate to tell you.

I suppose that few people ever forget the first sight of a palm-tree of any species. I vividly remember seeing one for the first time at Malaga, but the coco-palm groves of the Pacific have a strangeness and witchery of their own.

I felt most beautiful on the red carpet in Givenchy's sheer lace dress at a dinner hosted by Givenchy in honor of Marina Abramovich at the closing of her Museum of Modern Art retrospective, 'The Artist is Present', in 2010. It was the first time I had been dressed for an event, and everybody just fell in love with the dress.

Even bees, the little almsmen of spring bowers, know there is richest juice in poison-flowers.

Sometimes a miracle is a change in material conditions, such as physical healing. At other times, it is a psychological or emotional change.

When I arrived in Laos and found young Americans living there, out of free choice, I was surprised. After only a week, I began to have a sense of the appeal of the country and its people - along with despair about its future.

The power of noble deeds is to be preserved and passed on to the future.

Thank you, Occupy Wall Street. With your vivid example of anticapitalist squalor, I've been able to convince all three of my children to become investment bankers.