He steps on stage and draws the sword of rhetoric, and when he is through, someone is lying wounded and thousands of others are either angry or consoled.

I don't ask for the meaning of the song of a bird or the rising of the sun on a misty morning. There they are, and they are beautiful.

There is a growing feeling that perhaps Texas is really another country, a place where the skies, the disasters, the diamonds, the politicians, the women, the fortunes, the football players and the murders are all bigger than anywhere else.

It's odd being an American now. Most of us are peaceful, but here we are again, in our fifth major war of this century.

Say what you will about him Ed Koch is still the best show in town.

He steps on stage and draws the sword of rhetoric, and when he is through, someone is lying wounded and thousands of others are either angry or consoled.

Amazon.com isn't the same as going down an aisle. The same as record stores. You'll go for Billie Holiday, and you buy Gustav Mahler as you're going out the door.

Any of us who've been newspapermen for a long time hate generalizations.

Anybody who sits and says, 'I know New York' is from out of town.

As a master of graphic creation, as teacher, historian, and roving ambassador of comics, Jerry Robinson has ensured that future generations of talented kids will continue to imagine and then put marks on paper.

Bootleggers were romanticized by people like F. Scott Fitzgerald, for example. Gatsby is a bootlegger. And they were not thought of as evil criminals in the newspapers, either. There was a certain amount of affection for them.

Boxing is one of those leftovers from a more primitive past that should be finished off and killed. I don't love it anymore.

Confession alone is not necessarily good for the soul.

Every reporter inhales skepticism. You interview people, and they lie. You face public figures, diligently making notes or taping what is said, and they perform their interviews to fit a calculated script. The truth, alas, is always elusive.

Everybody needs an editor.

Everybody who went to Vietnam carries his or her own version of the war. Only 10 percent engaged in combat; the American elephant, pursuing the Vietnamese grasshopper, was extraordinarily heavy with logistical support.

Ezra Pound was a crackpot on social and political issues, but he knew what he was talking about in matters of the written language.

For me reading a book is what I like doing, curled up in a corner in a comfortable chair.

For years, the defenders of television have argued that the networks are only giving the people what they want. That might be true. But so is the Medellin cartel.

Gabriel Garcia Marquez was a newspaperman originally in Colombia. He talked about - and I agree - how everybody has a public life, a private life, and a secret life.

Getting out any weekly magazine requires many hours of reading, choosing, discarding, and thinking beyond the obvious.

I always make a distinction between nostalgia and sentimentality. Nostalgia is genuine - you mourn things that actually happened.

I couldn't have been the novelist I was without being the journalist I was.

I like to say that journalism is the graduate school from which you never graduate.

I think if you had to choose between running a tabloid and being president of the United States, of course you'd run the tabloid, especially in New York.

I usually wake up at 7, 7:15, without an alarm. I hate the sound of an alarm.

I was born in 1935. But my mother and father - who were immigrants from Ireland - and everybody that I knew growing up in Brooklyn came out of the Depression, and they were remarkable people.

I was the oldest of seven kids, so I had no older brother who would say, 'Schmuck, don't do that.'

I'm so concerned with morgues and libraries of the newspapers.

I've lived in other cities - Rome, Dublin, Mexico City - but I was born in New York City, and I always lived in those other places as a New Yorker.

If it's a beautiful day, I love taking walks. The walks are always aimless.

If you're the oldest in a large family, you tend to do everything yourself, particularly if you are the first American. You begin a habit or pattern that makes it easy to reject other help.

In 1962, I wrote a series about 42nd Street called 'Welcome to Lostville.' One result was that the young Bob Dylan read it and invited me to his first concert at Town Hall; the result was a kind of friendship that years later led to my liner notes for 'Blood on the Tracks.'

In my experience, growing up in Brooklyn and all that, the real tough guys didn't act tough. They didn't talk tough. They were tough, you know? I think about these politicians who try to pose as tough guys - it makes me laugh.

In the '70s, the newspaper guild managed to get people paid what they were worth, but the reporters suddenly became middle class. It's much more respectable, more uptight, and everyone speaks in guarded tones. And the writing isn't as good. We always had guys who were failed poets and failed novelists who did it to eat.

In the 1950s, when I was hanging around Sullivan's Gym and the Gramercy Gym, there were fixed fights. Mob guys like Frankie Carbo and Blinky Palermo had taken over the sport; one lightweight champion loaned his title to others at least twice; the welterweight division was a slag heap.

In the newspaper business, I was in the last generation before the arrival of the personnel manager. You were hired by editors - and editors who would take a chance on what they perceived to be talent and not hire a resume.

It's easy to be a tough guy when no one's going to come knocking on your door.

Journalism is a team sport. Writing novels is golf: it's you and the ball.

Leon Uris is a storyteller, in a direct line from those men who sat around fires in the days before history and made the tribe more human.

Mick Jagger's fans bought records with their allowances. Sinatra's people bought them out of wages.

My father did shape me. He didn't drive because he had one leg, and for years I never drove. I had no mobility.

My father lost his leg in 1927 playing soccer. A kick broke his leg; gangrene set in. They sawed it off. So he didn't get what a lot of Irish immigrants got, which was a job on the Waterfront - he didn't get that.

My parents were Belfast Catholics.

One thing I learned working at the Brooklyn Navy Yard was to be on time. If the day begins at 8 A.M., be there early, get there, punch the time clock; don't just stand there like an oaf.

One thing that I notice that is changing, you don't see kids on Sunday. Most of them are home. The kids are having much more virtual childhoods instead of childhoods. They don't play ball or hang out with the wrong people or get in fistfights, all the things that once made childhood. I don't know how it's going to turn out.

Part of my head will always be in the years after World War II - the five years before Korea started.

People become writers in the first place by those things that hurt you into art, as Yeats said it. Then they become separated from what started out affecting them. Journalism forces you to look at the world so you don't get cut off.

Reporters now are better educated than the crowd I knew when I broke in. We still had guys shaped by Prohibition and the Depression, so the news business still had badly paid people who loved it for the life, because every day was different.