I'm very cautious about talking about how actors got where they got, as though there is in fact a plan or a way. There is no plan, there is no way, there's no sure set, there's no handbook, on how to get to be an actor.

Like I said on my bio on my webpage, I was born at an early age, I was close to my mother.

We were just a gaggle of kids, and everybody played together and had a good time. You know how kids can be completely horrible - abusive but fun. But anyway, it was a nice childhood.

Very intense first summer out, to be 18 years old and never having gone on a date, never having smoked a cigarette, never had a drink, even a sip of beer, never kissed a girl, all of those things. It made for a fairly intense first year out.

Interesting enough, we had a reunion of the 12 of us who graduated, right? The only one who wasn't there was the guy who became a priest, and he was literally in prison in Libya, for being a Catholic priest. Isn't that interesting? Everybody else made the reunion but that guy.

I was born in New York.

I left because I decided it just really wasn't for me, and I got a better understanding of what the Catholic Church needed from its priests and ministers.

That was my aspiration, so I was there in a seminary with just boys who were studying to be priests. Pretty rigorous schooling; we never got home, we stayed there all year.

At the end of four years' time, at graduation, we were down to 12. At our reunion that we had several years ago, only 1 out of the 52 actually made it to ordination and priesthood. So there you go, there's your numbers.

I have a much wider, freer view about spirituality. I feel that people need to pursue it on their own, personally. You know, let it be theirs - a personal relationship with their soul, or their God, or with their church.

I was unwilling to - without getting too philosophical about it - I was unwilling to structure my spirituality in the way that the church wanted me to structure it.

I was born in Queens, New York, which is a suburb of New York City.

I went whole hog at the actor's lifestyle - really embraced it. I had by then known how much I loved acting already, because I discovered acting from a teacher in the seminary - that's the first place I ever did it, in the seminary.

I studied with the idea of becoming a Catholic priest.

So when I was 13, I basically left home and never returned and lived at home again. I would come home for a week at Christmas and two weeks in the summer only.

I'm very cautious about talking about how actors got where they got, as though there is in fact a plan or a way. There is no plan, there is no way, there's no sure set, there's no handbook, on how to get to be an actor.

My childhood is completely... when I look back, it was '50s in New York, upper-middle class, it was completely idyllic and golden and wonderful - sweet in every way.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

I was always a character actor. I just looked like Little Red Riding Hood.

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.

I didn't want to be an actor.

I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.

That's always something that's really important for an actor - to find an opportunity to do a scene where there is a moment like that, where you manage to connect with everyone.

In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.

And, you know, when you are a kid, everybody wants to be an actor. I think that everybody wants to be in show business, frankly.

An actor is at most a poet and at least an entertainer.