That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.

That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.

But you know, there's always a danger nowadays that films are gonna be brought up to Canada for budget reasons. And that's something that really concerns me.

Whatever you think of de Sade, he was a complex figure and we should not look for easy answers with him. He was, strangely perhaps, against the death penalty, and he was never put in prison for murders or anything like that.

They are always very lax about putting restrictions on violence for children's movies, which I think is much more harrowing than sexuality for children.

The danger is not so much in the economic structure of a society but in its intellectual structure.

To me, thoughts are fun and art is fun. The strength of our society should not be idle entertainments but the joy of pursuing ideas.

The truth is, I'm drawn to all kinds of things.

Similarly, the Marquis is presented in this film as someone who would disturb the status quo and therefore must be kept imprisoned.

I read, therefore I'm interested in writers.

I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.

This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased.

And I liked this extreme character of de Sade.

Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films.

You can have a lot of unhappiness by not having money, but the reverse is no guarantee of happiness.

Is there something to be said for the writings of the Marquis? Is there something to be said for pornography? And is there something to be said against both? I hope our film is balanced and rich enough to encourage debate and discussion.

It just seemed to me to be a great story, set back in its time but something that seemed to have relevance for our time. Now that the film is coming out, it looks like we're back in another time where repression of expression is all the rage.

What's really interesting about that is that a lot of these words that were incendiary in their time now seem almost harmless and laughable, because they have this archaic quality.

Nowadays they either want to move the film to Canada or in some cases they go to Prague or Romania or they want to keep 'em down in L.A.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

Racing Stripes was so much fun to do. It's one of the funniest movies I've seen in a couple years.

I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.

I feel like I'm a fighter. I've fought my whole life to get to where I'm at. I like fight movies. When someone gets knocked down, I like to root for him to succeed.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look.

That is why it's so fun to make movies... you get to do lots of things you would never do in your normal life.

I think it's time to do clean-up for a generation. I believe this is one of the movies that hits home for all colors and all races. Everybody I talk to, black or white, suburban, rich or poor, can relate to rejection, can relate to not having a father or a mother.

But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

Frankly, I got into the movies because I like the movies a lot.

Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.

It was like in Samoa when they'd put up a movie screen on the beach and show movies and the locals would run behind the sheet to see where the people went. It was pretty grim.