Singing becomes a form of therapy.

But enough joking. I am singing. This is all my life.

My strength is my enthusiasm.

I was married at 16, a father at 17 and divorced at 18.

To stay at my best, I have to stop talking during the preceding day.

With my personal preparation at the piano, I can afford to hum at half voice.

Let us be clear: I take ten times more money for a concert than for an opera performance.

In the last century, everybody was singing lower.

Should it happen tomorrow, I would fall to my knees to give thanks to God for such a career.

If money was my only motivation, I would organize myself differently.

I have always studied my parts with the orchestral score and not with the piano reduction.

But I won't deprive myself of singing opera as long as my voice follows.

Singing becomes a form of therapy.

The public is a part of my real life.

I feel like a little boy who is constantly offered new toys.

I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.

When facing symphonic orchestras which have played some works five thousands times, you have nothing to do.

The press regularly proclaims my ambitions and my financial demands.

Don't you think it astonishing that, at 58, I am still working at improving my career?

Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.

When working with an orchestra, you never spend more than 20 minutes per recording session.

The high note is not the only thing.

I will prove that a great conducting career is expecting me.

The public made me and then encouraged me for many years, and my future even now depends upon it.

Honestly, if the public still wants to hear me in some works, I have to go down a half step.

Young singers are much better educated musically, much better informed, through discs and videos, than I was.

I attended less than two years of Conservatory in Mexico City.

When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.

It is strange, but nobody is shocked when pop singers make a fortune in the space of two years.

This season, over eight productions, I am presenting four young tenors.

On the other hand, I have devoted so much energy to reach the top that I accept the stress of being there.

The voice collects and translates your bad physical health, your emotional worries, your personal troubles.

I am never wrong when it comes to my possibilities.

We all have a destiny in accordance with the breadth of our shoulders. My shoulders are broad.

I feel at home in an orchestral score.

This circus games aspect has existed since the beginning of my career.

The atmosphere of the theater is my oxygen.

When a young artist is ready, one has to bring him into the limelight.

Every three days on average, I am alone on stage, facing the public.

When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

You're gonna have to learn to get out there in front of those cameras and hold your head up. Take charge when you're singing.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

But enough joking. I am singing. This is all my life.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.

In so many interviews, they bring up the sexual aspect of the record. I've had some journalists say it sounds like I'm lying down in bed singing with a microphone. It gets so old!

I love songwriting. It's second to my love for singing in how I express myself.