My childhood may have been more demented than most, because I learned to read very early and was allowed to read whatever I wanted.

This is the point being missed by readers who lament Liquor's lack of hot sex scenes, probably because they aren't old enough to understand that a passionate relationship could be about anything other than sex.

Mostly I enjoy the restaurants (my husband is a chef), though I wish we had a wider diversity of ethnic food.

My dad told me that no one could ever make it as a writer, that my chances were equivalent to winning the lottery - which was good for me, because I like to have something to prove.

My mother is an office manager, my father a professor of economics and financial planner.

I've tried to avoid labels, but they always find you.

There are people who must spend huge amounts of time composing these online diatribes against me, all about how disgusting and terrible I am and how no one should ever read my books, and it's not enough for them to hate me, they can't stand the fact that ANYONE likes me!

I like visiting people's homes on Saint Joseph's Day, when people set up altars, serve food as a tribute to the saint, and invite the public - I enjoy that much more than Mardi Gras.

New Orleans cuisine is Creole rather than Cajun.

I've certainly learned a great deal from my husband, though, and could never have written a book like Liquor without him and the people he introduces me to and the stories he brings home.

Some of the food in Liquor is food I've really eaten filtered through a veil of fiction.

I think film had a terrible effect on horror fiction particularly in the 80s, with certain writers turning out stuff as slick and cliched as Hollywood movies.

In high school I was the dog, always, and I never have felt comfortable or right in my body, and part of my whole exhibitionist thing has probably been a way of testing to see whether or not I really was this repulsive creature that I felt like for so long.

My childhood may have been more demented than most, because I learned to read very early and was allowed to read whatever I wanted.

In the Netherlands I read the first chapter of Exquisite Corpse to an audience that laughed in all the places I thought were funny - an experience I've never had in America!

In France, for instance, one magazine writer was convinced that On The Road had been a huge influence on Lost Souls and was crushed to learn that I hadn't read the one until after I'd written the other.

I certainly wanted to write a book that was honest about New Orleans without explaining it to death, so much so that the first draft contained references absolutely incomprehensible to anyone who hasn't lived here for several years.

I'd much rather do an obviously commercial writing project than get a day job.

And I can't think of a reason I'd ever use a pseudonym, as I wouldn't want to publish something that I didn't like enough to put my name on it.

I don't like to talk about work in progress, but the novel I'm working on now is definitely not horror.

I certainly don't think I would have been asked to pose for Rage if I wasn't a known writer.

Celebrities, even insignificant ones like me, are created to be abused by the Great Unwashed.

Yeah, I think A Confederacy of Dunces is probably the perfect New Orleans book.

Some nights are made for torture, or reflection, or the savoring of loneliness.

Some nights are made for torture or reflection or the savoring of loneliness.

The night is the hardest time to be alive and 4am knows all my secrets.

A sister is a little bit of childhood that can never be lost.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

It sounds ideal, a sort of beach childhood. But it wasn't really. I didn't use the beach very much at all.

All our pursuits, from childhood to manhood, are only trifles of different sorts and sizes, proportioned to our years and views.

The secret of the truly successful, I believe, is that they learned very early in life how not to be busy. They saw through that adage, repeated to me so often in childhood, that anything worth doing is worth doing well.

I don't carry any early childhood trauma around with me, if that's what you're hinting at. The story of the bicycles - and there were three of them which were stolen from me - I've dealt with it well.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

Hors d'oeuvres have always a pathetic interest for me; they remind me of one's childhood that one goes through wondering what the next course is going to be like - and during the rest of the menu one wishes one had eaten more of the hors d'oeuvres.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.

Well I was an asthmatic child. So that for most of my childhood I was in bed. Bedridden.

Happy, happy Christmas, that can win us back to the delusions of our childhood days, recall to the old man the pleasures of his youth, and transport the traveler back to his own fireside and quiet home!

I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.

If a nation loses its storytellers, it loses its childhood.

I had a kind of Dickensian childhood.

Friendships in childhood are usually a matter of chance, whereas in adolescence they are most often a matter of choice.

I didn't have a happy childhood.

These days, there are a great many books about childhood trauma and its effects, but at the time all the experts agreed that one should forget about it as quickly as possible and pick up where you left off.

Concepts, like individuals, have their histories and are just as incapable of withstanding the ravages of time as are individuals. But in and through all this they retain a kind of homesickness for the scenes of their childhood.

My whole family actually, but my parents. I had such a normal and amazing childhood. I've been so lucky. My parents are cool and normal. They don't talk about the business and I still have stuff to do at their house.

From childhood I was passionately fond of music and wanted to be a musician. I have no recollection of any real desire ever to be anything else.

I gave up my childhood for a career.

I had the pleasure, as Robin said, to live a childhood dream as many young Americans and Puerto Rican children live that play youth baseball. And I feel honored and very thankful for that opportunity.