I'm waiting for them to make 'Thundercats'. I would love to be Cheetara.

I don't know, I like to go on really different types of dates. Going someplace new or some new part of the city, something that's not your average thing. Something where you just go have an adventure together.

I've discovered as I've grown up that life is far more complicated than you think it is when you're a kid. It isn't just a straightforward fairytale.

If I hurt someone, if I were to accidentally poke someone's eye out, I would laugh. And then I'd say, 'I'm sorry, I really do feel bad,' but then I'm on the floor rolling.

I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.

I've sort of heard that "it" girl thing, but not really. Hearing it from a few people doesn't solidify it in my mind and I wouldn't know how to solidify that title. It's so elusive and what does it mean, I don't know?

I have a certain curiosity for life that drives me and propels me forward.

You know when you find a great dress, you've gotta hold on to it.

You know, I have some issues. But I just love to play different characters all the time, and I try not to repeat myself too much.

I'm waiting for them to make 'Thundercats'. I would love to be Cheetara.

A friend of mine had this great theory about the Teletubbies, that it's preparing us for being mindless. And getting us ready for living in an underground world. That's why the scenery is so flat.

A kiss with anyone, on or off camera, can be intimidating. I've been kissing for nearly two decades now, and I'm always convinced I'm not doing it right. Chemistry is so important in a great kiss. You can act your way through anything, but it's hard with a kiss.

During a movie, chemistry is so important, and yet they just assume actors can fake their way through it. That doesn't always work.

I always wanted pink hair.

I always wish I could go back and see the people that I love as children.

I can be quite surprised by what makes me cry, but it's usually spiritual things.

I confess I am a romantic. I love romance, and I think it's really fun and delicious and some of my favorite films are love stories. I think that you just get a chance to fall in love with the characters so much and you get to explore their lives so deeply.

I definitely believe that you are drawn to certain things for inexplicable reasons, but in a very powerful way. I don't know what it is exactly, but I know that things happen kind of miraculously sometimes, and so I'm willing to believe that there's something pretty magical out there.

I definitely was in the sequined, bedazzled era. We would put blue eye shadow up our eyebrows and glitter all over our faces. I probably put more effort into my skating outfits than my clothes.

I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.

I didn't get my first pilot that I screen-tested for, and I really thought it was the end of the world. But it's fine, you know, you move on to something else.

I do have a side of me that would just love to be stuck in the woods and have to stick it out and be really resourceful.

I don't really desire things. I prefer to spend my money on experiences, on meals or travel.

I don't really want to repeat myself. For the most part, I always want to be doing something new. But there aren't a lot of gritty roles out there for women, and they are so fun to play, everyone wants them.

I drink maple syrup. Then I'm hyper so I just run around like crazy and work it all off.

I feel like I'm going backwards, actually, as I get older. I'm regressing. I feel more and more like a kid, which is kind of a fun feeling.

I find British men very gentlemanly... like opening doors. There is a certain chivalry about British men which I like, and I'm a sucker for an accent.

I grew up in a very small town and didn't realise till later that I had an adventurous side. When I went to theatre school at 18, I came into my own and let loose.

I had a lovely childhood. For family holidays, we went as far as the car could take us - we would drive to Florida, even though it would take three days. I didn't know we didn't have a lot of money because there was always food on the table. I didn't have a lot of stuff, but I did figure skating for a long time, and I always had my skates.

I had a small-town life - I worked at the local McDonald's for three years. I'm not sure why they kept me: I am something of a daydreamer and a dawdler, so they would only let me be the 'friendly voice' that greeted you when you entered the restaurant.

I look at the world through a green lens now, but you can't make yourself crazy. That feeling of green guilt can be really inhibiting. It's about a changing mind-set, remembering to turn off the water when you are brushing your teeth.

I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?

I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.

I love the exploration of someone who has such a different background from you. That exploration runs to compassion and to cracking yourself open and creating more understanding of how weird and amazing life is.

I love those preliminary conversations about who a character is. You try on wigs, shoes and clothes. It's preferable when it's not about looking pretty. It can get a little dull to just be cute. We talk about things like, maybe my character can't afford these Christian Louboutins.

I love those preliminary conversations about who a character is. You try on wigs, shoes, and clothes. It's preferable when it's not about looking pretty. It can get a little dull to just be cute.

I need to have better knife skills... for vegetables.

I personally think you can have a really rich and full life with no abs. Abs are for wimps.

I prefer to be a villainess. There's something a bit more delicious about their wickedness.

I really like having a life outside work. I sometimes wish I did more career stuff and was in that Hollywood scene a bit more. But Toronto's my home.

I sort of always had an inkling towards some kind of an art form. I grew up in a very small town, and I just figure-skated. My dad played hockey and I was surrounded by sports, but it wasn't quite doing it for me. I wasn't totally fulfilled, and I did a lot of skating.

I think a lot of people are with the one they're meant to be with. I see it watching my parents because they've been together for so long and are still very much in love. I'm just sort of in awe of that.

I think love is the through line and it's universal and it doesn't matter what period of time, time or place, or people, that's something we all connect to. That's the thin thread that I think keeps it altogether.

I think one thing that kids who grow up on farms really have going for them is they have exposure to death and birth in a totally different way. I think it takes away a little bit of the mystery and a little bit of the fear, and I do wish I had that. And I wish I was able to grow my own food.

I think there's something really powerful and refreshing about a woman who is unapologetic.

I try to shut out ideas about why you should do things. Trying to do good architecture and really designing a career? There's some attention to be paid to that, but I don't think it's everything.

I use filming as an excuse to take classes. I got my certification in sailing for 'Wedding Crashers,' and now I can handle a 26-foot boat. I played a seamstress once, so I took sewing classes. I love dipping into these other lives.

I want to pick good projects, I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity. Sanity would be good. I'd like to have a little sanity!

I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'