My movies continue to be found and be sold because there's something going on in them.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.

Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.

I am not interested in slickness for the sake of slickness.

Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!

I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.

Painting pictures didn't make me a lot of money. I have to eat.

I'm the first to admit that I can't be as good as Tolkien, and a movie can never be as good as Tolkien.

My movies continue to be found and be sold because there's something going on in them.

I animated 20 years at Terry Toons. It's important to know that animators like pizza and a raise once in a while, and you've got to treat them with love.

Film has to describe and show.

Sweetheart, I'm the biggest ripped-off cartoonist in the history of the world, and that's all I'm going to say.

I would like to have the original ending to my Lord of the Rings instead of the one they released. In my original cut I had the victory at Helm's Deep as the final sequence.

Too many of Disney animators, and a lot try to emulate Disney, are trying to hit what they call quality levels. They're boring mannerisms.

I thought I had the rights to The Lord of the Rings. I don't know how Jackson ended up with the rights.

As an artist, I want to interpret my feelings - not run across the street and ask what my mother thinks.

The rise of anime had to happen. If the Japanese could tell better American stories, it would go through the roof. They still tell stories which are very much oriental. I take my hat off to them.

Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.

They say I'm a revolutionary, but they're all wrong.

My good films were independent and my bad films were not.

Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.

What's most important in animation is the emotions and the ideas being portrayed. I'm a great believer of energy and emotion.

I'm having the same problems today that I had when I first started, saying that outrageous adult animation works.

All the old great companies were run by guys who knew what an animator meant, and guys who knew how to draw. All the companies today are run by executives.

I draw what I feel, which is no more than doing my job.

You can't second-guess yourself as a filmmaker.

Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.

I had the X rating on my films. Now they do as much on The Simpsons as I got an X rating for Fritz the Cat.

Lord of the Rings made me realize that I'm not interested in doing anyone else's work.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.