You can't second-guess yourself as a filmmaker.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.

Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.

I am not interested in slickness for the sake of slickness.

Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!

I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.

Painting pictures didn't make me a lot of money. I have to eat.

I'm the first to admit that I can't be as good as Tolkien, and a movie can never be as good as Tolkien.

My movies continue to be found and be sold because there's something going on in them.

I animated 20 years at Terry Toons. It's important to know that animators like pizza and a raise once in a while, and you've got to treat them with love.

Film has to describe and show.

Sweetheart, I'm the biggest ripped-off cartoonist in the history of the world, and that's all I'm going to say.

I would like to have the original ending to my Lord of the Rings instead of the one they released. In my original cut I had the victory at Helm's Deep as the final sequence.

Too many of Disney animators, and a lot try to emulate Disney, are trying to hit what they call quality levels. They're boring mannerisms.

I thought I had the rights to The Lord of the Rings. I don't know how Jackson ended up with the rights.

As an artist, I want to interpret my feelings - not run across the street and ask what my mother thinks.

The rise of anime had to happen. If the Japanese could tell better American stories, it would go through the roof. They still tell stories which are very much oriental. I take my hat off to them.

Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.

They say I'm a revolutionary, but they're all wrong.

My good films were independent and my bad films were not.

Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.

What's most important in animation is the emotions and the ideas being portrayed. I'm a great believer of energy and emotion.

I'm having the same problems today that I had when I first started, saying that outrageous adult animation works.

All the old great companies were run by guys who knew what an animator meant, and guys who knew how to draw. All the companies today are run by executives.

I draw what I feel, which is no more than doing my job.

You can't second-guess yourself as a filmmaker.

Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.

I had the X rating on my films. Now they do as much on The Simpsons as I got an X rating for Fritz the Cat.

Lord of the Rings made me realize that I'm not interested in doing anyone else's work.

We go there with confidence, but we know there is a very fine line between success and failure in this game.

Death is never an apology.

There are too many senior citizens and good residents in Chicago who are sick and tired of having to walk several blocks out of their way when they leave their homes just to avoid the gangs and drug dealers on the street corner.

TSG is competing with Middle East, East Asia and Europe in offering prices that are either lower or at par with these markets.

Angels are not complete, they need their counterparts, the dark needs the bright, the hidden needs the open, and vice versa. Sometimes they meet and recognise each other. Sometimes, as with Horatio and me, the pairing occurs over spaces of time and distance.

Stereotypes, they're sensual, cultural weapons. That's the way that we attack people. At an artistic level, stereotypes are terrible writing.

I like to remind the contestants where they are by playing the 'Bake Off' theme tune on my phone as they walk into the tent. They freak out, as it suddenly dawns on them that they're on the show.

First he wrought, and afterward he taught.

Writing is such a solitary thing, so it's nice, when I'm discouraged, to see people still have such faith in fiction.

But he said Blanket Hill should be a national monument. And so we came out of his chambers feeling, though while we had lost to the powers of darkness, we had at least shown one Federal Judge what the right path would have been.

Promises make debt and debt makes promises.

The Britney Spears fans aren't going to dig us.

It took a long time to get to the place in my career where I could pick and choose what I wanted to do.

Drugs were pretty easy to quit taking. I was never addicted to anything to begin with. But then, liquor - I had to wait about another six years before I finally got around to quitting that. I'm sure glad I did.

Immigration was a huge force in changing my outlook. I moved to America 30 years ago. I had to reassess my beliefs, especially about women's roles.

I wish I got invited to more luaus. I really do!

There are notes between notes, you know.

Successful people do what others know they should do but will not. To become a success, or just be "more" successful, you will do what average, less-motivated people will not.