I can't speak on behalf of the show. I'm not a creator; I'm just a pawn.

I had been doing summer stock every summer while I was in college. We did a showcase, like most good conservatories do - monologues and things that agents and casting directors come to see. From that I got an agent.

It makes me proud, and it makes me scared. More than anything, I want to be an actor and I want to keep working, and I think there's a danger in being perceived as a poster boy for something.

I don't want to be the center of attention. My posture has changed. I walk with my head down and shoulders slumped. Suddenly I carry myself as if I'm ashamed of something.

It's a really subtle kind of thing. It makes me feel like Randy Harrison is not a human being to them.

I can't speak on behalf of the show. I'm not a creator; I'm just a pawn.

I wonder what kind of lives they will have built for themselves when they turn 45 and can't really have any connection with people because they are so used to fleeting sexual.

I don't want to be Tom Cruise. I'm not after some movie blockbuster career. That's not the kind of work I'm interested in. And frankly, it's not the kind of work I'm ever going to get.

I guess I had a suspicion of it my entire life without knowing exactly what it was - knowing that there was something different about me, which I attributed to being an artist. At 11 or 12 I started sort of clarifying for myself. It took a while.

I just don't think that I could be the kind of actor I want to be and not be honest with myself. Honesty is very important to me as an actor and as a person. I didn't even think about it.

I love my parents. Coming out to them was sort of coming out to myself. I educated them, and I wanted our relationship to keep growing. I wanted them to be a part of my life still. I wanted to be able to share with them what I was going through.

I've done sexual stuff before - onstage, which is even more emotionally difficult. With a TV crew around, you are stopping and starting; it becomes really technical. It's not erotic at all.

It always weirds me out and makes me unhappy that some people think I'm Justin. I'm not. People can be talking to me and I know they think they are talking to Justin. It's hard to explain.

It's a clique that I've never been a part of. It's not like I identify them in a negative way.

It's nice to see that people in Middle America are really affected.

I don't know for Justin; he's always looking for meaning out of his relationships with people. I don't think he's as trapped into the drug thing as a lot of the others are.

I actually have more respect for people who are in the closet. You end up exposing so much of yourself because you have to talk about your sexual life. You shouldn't have to talk about it.

The whole character of Justin and the club life he lives - I have no experience with it. It's really foreign to me, which is annoying, but that's just how it is.

I never felt a need to manipulate my career from the outside - try to be someone I wasn't to get ahead.

By the time I came out, that kind of stopped it. The bullying stopped when I claimed myself and proved that I wasn't afraid. A lot of it was when I was hiding when I was younger.

I was always the shame of the family - the one Yankee who was actually born in the North.

I think the sense of community that exists with all the characters - that's the answer. The fact that they have found a family in their friends. It does give some depth and meaning to their lives.

A lot of my friends are club people. It's not me. It's funny to represent that, because it's not me. I don't fit into a gay club setting. It's just ironic that I represent that somehow.

Dad said that he was prouder of me than he'd ever been when I came out.

I'm confident in my ability to maintain a career. I don't know if it will be doing either independent films or plays in New England.

I hope that they are finding satisfaction. I'm in no way making a judgment. I know it doesn't make me happy.

When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.

I wasn't being bullied at school at this point. I had a group of friends, and I was isolated because I wasn't communicating with my parents. I wasn't telling them what I was going through.

I can't walk down the street with my head up. I'm not a hat wearer, but now I'm a hat wearer.

It's upsetting that it is such a big deal. I wish it weren't an issue all the time. It's funny that people say it's a departure, because I've been acting since I was a child. I've played three gay roles out of hundreds.

The streets of London have their map, but our passions are uncharted. What are you going to meet if you turn this corner?

When I make a book, I make it for the child and not for the parent - no jokes in it for the parents!

There are many projects I couldn't get off the ground because they didn't have white heroes. It's a problem that everyone who's been working in Hollywood has been facing.

Harvey Weinstein bought our film, and he's an animal. He's got us out there campaigning and everything because honestly it's a silent black-and-white film.

I see myself as a private-equity investor that helps rebuild companies. Restructuring is a cottage industry in that there aren't that many serious practitioners.

It probably goes without saying that I enjoy the potato pancakes, delicious hams and so forth that maddeningly turn up at this time of year.

I will not contest my parliamentary seat in a sad election that will not produce a Parliament capable of endorsing a realistic reform agenda for Greece.

The show I'm obsessed with watching is 'Say Yes to the Dress!' Because I love the whole makeover idea, and I'm a sap for love, of course.

Early in 1888 one or two of us got together to establish our own Sheffield Socialist Society.

There is no better protection against the euro crisis than successful structural reforms in southern Europe.

Am I famous in Japan? I don't know, and I don't really think of myself in that way.

When you're a kid, you see your parents reading the newspaper and you're like, 'God, why are they reading the newspaper?' When you're young, you're not reading the newspaper. But there comes a time in your life when the newspaper's cool.

I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.

Virtues, like essences, lose their fragrance when exposed.

Anger, and the self-righteousness that is both the cause and consequence of anger, tends to be easier on the psyche than personal responsibility.

I always saw myself as a singer-songwriter, a solo-artist, that's why working with other artists was never satisfying for me.

I used to listen to country and western and blues, John Lee Hooker, spirituals, the Bluegrass Boys, and Eddie Arnold. There was a radio station that come on everyday with country, spirituals, and the blues.

What I remember most about the 'Road' movies is my enjoyment at watching the two characters sparring with each other. But more important than that was my feeling that Hope and Crosby were enjoying the sparring, too.

The man of regular life and rational mind never despairs.