So, you need to balance it out with bigger and smaller movies.

So I decided to form a production company with my wife and our partner Diane.

I was on a soap opera before that for three years, where I was the nicest guy on earth.

Suddenly playing the charming bad guy was my thing.

You know, it was a small, independent movie and with Paramount becoming involved, it was obviously a good thing, but you can't put a round peg in a square hole.

I was looking to become more proactive with my career because I wasn't crazy with some of the scripts I was getting - this was before Blow and Hannibal - so I decided to start my own production company.

I've only been in one fight in my whole life... in 7th grade, yet everyone thinks I'm a maniac.

So, you need to balance it out with bigger and smaller movies.

Not like Chinese food, where you eat it and then you feel hungry an hour later.

You could just do independent movies, but I like bigger kind of studio movies, at least some of them.

When I read Copland, I really wanted Stallone's part.

I didn't like some of the movies that were coming into me.

My wife read Narc as well and was really into it.

In college, I started out doing musicals and Shakespeare.

The Rat Pack was the piece that really kicked me out of that little funk that I was in and then Ted called me up and asked me if I wanted to be the dad in Blow.

I know when I go to a movie I want to experience something, whether to laugh, to cry, to feel bad.

You don't do anything thinking that it's going to stick.

As soon as I became proactive in producing my own stuff, I started getting other roles.

The first script I got was Narc and I really responded to it; it reminded me of a '70s type movie, I really liked the characters, I didn't anticipate the ending.

I just finished Narc, which was a really heavy duty, raw, independent.

Well, for Blow I had to age from 20 to 60, starting out in shape and then later putting on fat pads.

When I found out Cusack was involved, I liked that a lot.

Today some actors get a little full of themselves about what they're doing.

I think people like watching edgy things.

I think that if you can achieve a balance, then you appease a lot of yourself and your career and what it takes to maintain in this business for a while.

I think drug movies free the director to make intense films.

Acting is playing pretend, playing a children's game at an adult level, but with children's rules. It's fun to play bad guys. I've never been in a fight in my life, so it's fun to play something that's different.

I didn't start acting until I was in college, which was in the 70's.

I haven't seen about half the movies I've done. You know, you've got to make a living, but some I don't get a good vibe with.

I'm emotionally in tune with my feelings and what people mean to me, and I have no trouble saying it and relating to it.

It would be nice to do a movie where I didn't have to choke the girl to get her.

Mafia guys are all just insecure people who want their money. They're like little seven-year old kids when they don't get their way. I knew guys like that growing up in New Jersey.

My dad said, 'Go to college and take whatever you want.' So, I went to the University of Miami. When I got up to the line at registration, I saw that you had to take math and history. I said, 'There's no way I'm taking math and history.' And right next to it was the line for the drama department.

Not all journalists are really journalists. They ask such stupid questions sometimes, especially the newer ones, and because... these people can't tell if you're joking around, you just can't have any sense of humour; you really can't.

People have all these preconceptions about me. Whereas if you look at the roles, Henry Hill was the nicest guy in 'Goodfellas!' I was a nice guy too in the comedy 'Heartbreakers.' And I was a really sweet father to Johnny Depp in 'Blow!'

The independent-minded movies - it's always an uphill battle to get them made and seen. You do what you can, and go out there after and try to tell people about it, but at the end of the day, that's all you can do.

What I really am is a homebody. I was a homebody even before I had a family. My days are filled with home stuff.

A stare is really nothing more than what you're thinking inside.

Almost every wise saying has an opposite one, no less wise, to balance it.

I believe as human beings we are out of balance, out of synch with the earth.

But all the money in the world cannot make you happy either, so there has to be a balance.

In almost every country there are elements of opinion which would welcome such a conclusion because they wish to return to the politics of the balance of power, unrestricted and unregulated armaments, international anarchy, and preparation for war.

But if you can create an honorable livelihood, where you take your skills and use them and you earn a living from it, it gives you a sense of freedom and allows you to balance your life the way you want.

And Big Night, I think by the end the brothers find that balance, when they touch each other on the shoulder over breakfast and it's understood that what should never have driven them apart almost drove them apart. I think that's a true moment.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

In 1844, there was a balance of perhaps of a couple of thousand dollars on the cr side.

You need a balance in life between dealing with what's going on inside and not being so absorbed in yourself that it takes over.

We believe, in fact, that the one act of respect has little force unless matched by the other - in balance with it... The acting out of that dual respect I would name as precisely the source of our power.

You can't have too much of everything, you must have a balance, that's very important.