Impotence, fetishism, bisexuality, and bondage are all facts of life, and our fiction should reflect that.

So while it is true that I find really dark stuff funny sometimes, it's also true that as a writer of books I want to have the whole range of human emotions.

Impotence, fetishism, bisexuality, and bondage are all facts of life, and our fiction should reflect that.

I'm trying to make sure that there's comedy as well as sadness. It makes the sadness more memorable.

Nonfiction that uses novelistic devices and strategies to shape the work. That's material that I really like.

I always wanted to write something illustrated, and the Details strip finally gave me the opportunity.

It's also true, however, that having conquered the regional writer ghetto, I am now intent on conquering the nationalist writer ghetto and moving out into the world more.

What genre it falls under is only of interest later.

This is odd, but there are certain things that are really embarrassing to talk about - one is my job and the success that I've had in it, and the other is money.

It turns out that my memory is just not that great, so for specific scenes with people doing stuff, sometimes I'd have the details all wrong or I couldn't remember what happened exactly, so I just let that be.

I suppose I should say that I treasure blasphemy, as a faith of the highest order.

But that incessant drive to be out there in the literary universe that was important to me when I was in my twenties, like going to a Paris Review party or whatever, that seems totally irrelevant now.

I'm trying to read more dead people because I keep having to read stuff for juries and so forth.

My grandfather was a newspaper publisher and his paper had all the comics in NYC, so some of my earliest memories are of reading the family paper and heading straight for the comics insert.

I love comic books and always did as a kid.

Writing the book was itself a process of concealing and revealing.

Genre is a bookstore problem, not a literary problem.

The process of composition, messing around with paragraphs and trying to make really good prose, is hardwired into my personality.

When prose gets too stylized and out of control - and Stein is sometimes a good example - when you don't know what the hell is going on, then it's kind of boring.

I have worked really hard to defy categorization, to break down a taxonomy whenever it comes my way.

I made this list of stuff that it's time for me to try to do.

The point is to balance on the edge between musicality and content.

Literature precedes genre.

All the stuff that I used to treat with contempt - you know, I'm an artist, man, I don't do that family stuff - has begun to seem really important.

The Ice Storm, because of the movie, has had, or is to have, a vigorous life in other cultures.

I am in Boston right now, in fact, to do work at the New England Historical Genealogical Library, where I'm trying to finish up tracing my lineage back to the seventeenth century.

Maybe when I'm sixty-five I'll talk about my literary life.

I turned forty, and I'm finally going to get married and maybe have a kid.

I didn't know how to kill off a character unless I was able, as a narrator, to get really complicated. Because it was a big deal. I'd never killed a character before.

My contention is that that style is just as stylized as an ornate style.

I judged about a zillion awards this year so I've been reading a lot of books that just came out.

A bed is where a sense of shared purpose first takes root.

Impotence fetishism bisexuality and bondage are all facts of life and our fiction should reflect that.

The reporter is the daily prisoner of clocked facts. On all working days, he is expected to do his best in one swift swipe at each story.

As far as I know, only a small minority of mathematicians, even of those with Platonist views, accept the idea that there may be mathematical facts which are true but unknowable.

Facts do not speak for themselves. They speak for or against competing theories. Facts divorced from theories or visions are mere isolated curiosities.

The truth is more important than the facts.

Rude contact with facts chased my visions and dreams quickly away, and in their stead I beheld the horrors, the corruption, the evils and hypocrisy of society, and as I stood among them, a young wife, a great wail of agony went out from my soul.

We don't focus as much in schools on educational knowledge which requires thinking and application, as we do on acquiring facts.

He is indebted to his memory for his jests and to his imagination for his facts.

Facts, according to my ideas, are merely the elements of truths, and not the truths themselves; of all matters there are none so utterly useless by themselves as your mere matters of fact.

The intelligence investigation under the leadership of Senator Church, which I know has helped cause this investigation by you, points out that the agencies did not disclose certain facts to us and that certain plots were going on.

There are no eternal facts, as there are no absolute truths.

Facts can be turned into art if one is artful enough.

Exclusively oral cultures are unencumbered by dead knowledge, dead facts. Libraries, on the other hand, are full of them.

Truth in science is always determined from observational facts.

I have fully cooperated with the investigation and before the grand jury, and I'm quite confident at the end of the day that we'll know what facts are in this particular case.

When it comes to atoms, language can be used only as in poetry. The poet, too, is not nearly so concerned with describing facts as with creating images.

Neither facts nor pictures seem to sink into our centers of feeling any more.