The Senate is an unknowing world.

Ballet is sort of a mystery to me. And I don't want to unravel that mystery.

The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15.

My predictions are notably inaccurate.

I was trying to learn about Lyndon Johnson when he was young and creating his first political machine in the Texas hill country. I moved there for three years. You had to learn that world.

The Senate is an unknowing world.

Robert Moses wasn't elected to anything. We're taught that in a democracy power comes from being elected. He had more power than anyone, and he held it for 48 years.

I never wanted to do biography just to tell the life of a famous man. I always wanted to use the life of a man to examine political power, because democracy shapes our lives.

At the ballet, you really feel like you're in the presence of something outside the rest of your life. Higher than the rest of your life.

Everyone believed the Senate could not really be led. It used to take so long to rise up through seniority.

The New York City Ballet is obviously speaking to a whole new generation and bringing it the same wonder and beauty that it brought previous generations.

Sometimes during a ballet I'll look around and see all these rows of intent faces, concentrating on this beautiful thing up on the stage.

I never went to a ballet until I was 45 years old. I don't know why.

You come in off the street, through the doors of the theater. You sit down. The lights go down and the curtain goes up. And you're in another world.

Lyndon Johnson, as majority leader of the United States Senate, he made the Senate work.

I deliberately made an effort not to become an expert on the ballet.

As you get older, you sometimes feel that it's harder and harder to get something new and wonderful to come into your life.

I really wanted there to be something in my life that I enjoy just for the beauty of it.

I sometimes feel that if your book sells more than 20 years, then there's something in it that you can say, gee, I did something that endures, that's timeless.

The ballet embodies the notes of music. And sometimes you almost feel like you can see the notes dance up there on the stage.

Everything seems to be going faster and faster. It's really harder to create something that endures. The New York City Ballet has succeeded in doing that.

I like new ballets because they're totally new. As you get older, new experiences are harder and harder to come by, so it's pretty great to have a new experience.

Everyone believed the Senate could not really be led. It used to take so long to rise up through seniority. In two years Lyndon Johnson is assistant leader of his party. In four years he is the leader of his party.

I am trying to make clear through my writing something which I believe: that biography- history in general- can be literature in the deepest and highest sense of that term.

I don't think of my books as being biographies. I never had any interest in doing a book just to write the life of a great man. I had zero interest in that. My interest is in power. How power works.

Long Island is shaped the way it is largely because of Robert Moses. Long Island is a perfect example of how political power shapes people's lives every day.

The right of a minority is so important in a democracy.

There used to be this feeling under Eisenhower and Kennedy and Roosevelt and Truman that government was a solution. Trust in the presidency fell precipitously under Johnson - real lows. And it's never come back. It's a trend that, if you're liberal, is really discouraging.

We're taught Lord Acton's axiom: all power corrupts, absolute power corrupts absolutely. I believed that when I started these books, but I don't believe it's always true any more. Power doesn't always corrupt. Power can cleanse. What I believe is always true about power is that power always reveals.

You can use a biography to examine political power, but only if you pick the right guy.

At the ballet you really feel like youre in the presence of something outside the rest of your life. Higher than the rest of your life.

You can use a biography to examine political power but only if you pick the right guy.

Someday a political genius will come along and make the Senate work.

It was an idea we had when Al was in the Senate - to organize and moderate an annual conference that would look at government policy through the lens of the family to help identify ways that the family can be supported and strengthened.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.

Today America lost a great elder statesman, a committed public servant, and leader of the Senate. And today I lost a treasured friend. Ted Kennedy was an iconic, larger than life United States senator whose influence cannot be overstated. Many have come before, and many will come after, but Ted Kennedy's name will always be remembered as someone who lived and breathed the United States Senate and the work completed within its chamber.

The thing is, if you control the Senate meetings, you control the gavel. And the gavel is a very important instrument... an instrument of power. An instrument that establishes the agenda.

The Senate needs 60 votes to pass anything. They have to compromise with liberal Democrats to spend more money. Even though arguably we have control of the Senate, we really don't.

There was a Republican majority of the Senate, and it tempered the nature of the nominations being made.

In his years in Washington, Senator Kerry has been one vote of a hundred in the United States Senate - and fortunately on matters of national security he was very often in the minority.

Now that this legislation has passed the House, I look forward to the vote in the Senate that will bring us to Conference, where we can resolve any outstanding issues and make this postal reform reality - for the Postal Service and for all Americans.

I will not be responsible for the loss of the Democratic majority in the United States Senate.

People just want to hear some common sense... and I bring to bear the experience in local government and state government and national government - I was the first woman in history on the Senate Finance Committee - not to mention the diplomatic international experience.

To put that into some perspective, when Bill Clinton and Al Gore had first taken the idea of the Kyoto Protocol up to the Congress, the United States Senate voted it down 95 to nothing.

Congress and the White House are working out their scheme for pushing through a healthcare 'reform' bill that has more pages than the U.S. Constitution has words. I guarantee you that not a single member of the House or Senate has a complete understanding of that legislation any more than they understood all the implications of the USA PATRIOT Act back in 2001.

The day that I was elected to the United States Senate remains among the most cherished of my life.

It is a great privilege for any man to become a member of the Senate.

I rise today to offer a formal and heartfelt apology to all the victims of lynching in our history, and for the failure of the United States Senate to take action when action was most needed.

Apparently there are some Democratic leaders in the Senate that are running for office who now believe in tax cuts.