Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!

You were saying that once when visiting Yale, you were struck that unlike Pound, Williams's thinking was volatile, I mean, did not stay locked into a pattern of concepts that then defined his subsequent necessary behavior, whereas Pound did.

The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door.

Don't name it, as they say, because instantly you offer it to this peculiar authority.

It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case.

That poetry survived in its formal agencies finally, and that prose survived to get something said.

Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!

The pattern of the narrative never of necessity wants to end, it never has to.

Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him.

First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns.

There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement.

He lives out in Orchard Park. I mean, to be able to sit on the bench so patiently, for whatever part, and to be able to get up and do something, with such heroic competencies would be great.

And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it.

The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it.

All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things.

It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on.

Logic will get you from A to B. Imagination will take you everywhere.

For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.

The most dire disaster in love is the death of imagination.

We especially need imagination in science.

There is only one admirable form of the imagination: the imagination that is so intense that it creates a new reality, that it makes things happen.

He is indebted to his memory for his jests and to his imagination for his facts.

It takes a lot of imagination to be a good photographer. You need less imagination to be a painter because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the extraordinary.

Politics is the enemy of the imagination.

Happiness is ideal, it is the work of the imagination.

Memories, imagination, old sentiments, and associations are more readily reached through the sense of smell than through any other channel.

You want to do something that shows some type individuality and talent and imagination - at the same time, you want to be truthful to the predecessors, because obviously the audience liked something about them and you have to replicate that experience to a certain extent.

To them though, not to us, we were just a catalyst for their imagination.

In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true.

To put yourself in another's place requires real imagination, but by doing so each Girl Scout will be able to love among others happily.

If you use your imagination, you can look at any actress and see her nude... I hope to make you use your imagination.

Toy Soldiers was my introduction to film. I certainly didn't think I was doing art by any stretch of the imagination.

There is hope in dreams, imagination, and in the courage of those who wish to make those dreams a reality.

The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.

Intelligence is the wife, imagination is the mistress, memory is the servant.

The travel writer seeks the world we have lost - the lost valleys of the imagination.

The past is really almost as much a work of the imagination as the future.

Enthusiasm is that temper of the mind in which the imagination has got the better of the judgment.

I mean, the most important thing to me is imagination.

And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.

War, except in self-defense, is a failure of moral imagination.

Imagination allows us to escape the predictable. It enables us to reply to the common wisdom that we cannot soar by saying, "Just watch!"

Here is everything which can lay hold of the eye, ear and imagination - everything which can charm and bewitch the simple and ignorant. I wonder how Luther ever broke the spell.

In the world of words, the imagination is one of the forces of nature.

I like photographs which leave something to the imagination.

When it came to political power, blacks need not apply. Add to this steaming stew the growing tensions over the Vietnam War and the movement for civil rights, and you had plenty of elements to fire the imagination of a novice journalist.

My best investment is my imagination, because it has never failed to bring me my greatest returns!

This is one of those cases in which the imagination is baffled by the facts.

Imagination is a beast that has to be put in a cage.