I have an Italian comedy at the Venice Film Festival.

Kids today don't watch a black and white movie.

I wouldn't want the pressure of a Six Feet Under or the pressure of improvising like Curb Your Enthusiasm.

Most of my nightmares involve me forgetting my lines in a stage play.

If they do something like that, maybe a Freddy Krueger fan, a girl, a really sick goth girl starts killing kids herself and Freddy has to put a stop to it, or they have to fight it out.

Many great horror stories are period pieces and English actors have a facility for historic characters.

The last time we had Freddy in reality was part two and Freddy sort of went out on his own.

Gosh, I'd like to direct Our Town on stage.

I always get inspiration from whatever characters say about my character.

The modern horror audience is wise to our tricks this lets it in on the gag.

I think superheroes today are like whistle blowers.

I would like to see the technology used to explore more period horror genre works, for example, E. A. Poe.

But it's mostly about pacing yourself when you do these movies.

Jeff Bridges taught me a lot about how to keep a scene fresh.

And in Freddy vs. Jason I like when Jason and I double team Destiny's Child.

I'm basically a movie actor now, and my big roles are mostly horror movies - unless I'm doing a guest star or something - and occasionally I try to get back into television.

I have an Italian comedy at the Venice Film Festival.

I always serve the writer first because I'm English trained, even though I'm American.

I have friends that are much better actors than I am that had to quit the business because they couldn't survive the auditions or the rejections, or people just didn't realize how good they were.

You're going to have to surrender a little bit to the contrivance of how Freddy and Jason get together.

'Nightmare on Elm Street' really lends itself to using new technologies. CGI would be a great way to exploit and embrace the dream sequences.

Any film you make is a crap shoot.

As a result of playing Freddy Krueger, I can remember having to look at some medical books, and at some of the disfigurement that fire can cause on people, because they were the source material for some of the prosthetic makeup that I wore. That aided and abetted this fear of death by fire. Which is sort of what happened to Fred Krueger.

Death by plane crash scares me. I travel a lot, and when you hit turbulence, and post 9/11, that's in the back of my mind a bit.

Had I not done Shakespeare, Pinter, Moliere and things such as 'Godspell' - I played Judas in a hugely successful production before I did 'Elm Street' - I'd probably be on a psychiatrist's couch saying: 'Freddy ruined me.' But I'd already done 13 movies and years of non-stop theatre.

Halloween starts earlier and earlier, just like Christmas.

Horror movies travel pretty well anyway. They're like action movies: People overseas can watch them and enjoy them, and they're not so culturally specific in terms of their references, and they can follow a good scary story.

I actually am grateful for Freddy Krueger, because the big surprise to me - with that sort of double punch of science fiction TV series and then the 'Nightmare on Elm Street' phenomenon - was that I got an international celebrity out of it.

I actually sing horribly, but I used to dance pretty good. I was a gymnast, and you can usually use those gymnastic tricks with dance. Plus, they're so much fun to do. That wasn't really a big part of my career. It was just a phase.

I always wanted to play a monster, and I also wanted to work with Wes Craven.

I didn't make good money on 'Nightmare' until part three. I eventually got some nice merchandising checks.

I do genre films because I like them or because I need the money. I make a star's salary when I do horror because I can still open a movie in Italy or Spain or Germany.

I have very liberal parents. People forget that Fidel Castro was on the cover of 'Time' magazine, and the one that I remember the most - it's not necessarily my favorite - was when they dressed me as Castro when I was eight years old. I was in fatigues, camouflage hat, beard and cigar. I don't think I did that well with candy that year.

I just finished my 62nd or my 63rd movie here, and you know, I do good ones, I do bad ones, I do big parts, I do small parts, I do cameos - but I've allowed myself a pat on the back, because I realized that I've been working in Hollywood now since 1973.

I know there's a certain love and affection for the homemade on the Internet, and I'm all for that, too, and I appreciate it in alternative music, and I appreciate it in B-movies and in Sundance, independent films.

I think there's a time and place to watch an independent film, or catch up on a French action film on your laptop, or Netflix it, or download it, or watch it on-demand. But I think we also have to maintain the sacredness of the movie theatre as church - especially with event screenings.

I used to drive up from theatre in Michigan to Stratford, Ontario to watch every show. I idolized the actors from Stratford. I was very influenced by them because they would come down and work at my theatre and get time on their American Equity union cards.

I'd rather be Vincent Price than a red-neck character actor. You can't predict what will happen.

I'm a Hollywood kid, and I know that there are only so many stories. Only so many tales around the campfire that we have to tell. Then we have to regurgitate them. Our grandparents' movies were all remakes of silent films - we forget that, but it's true.

I'm an actor. Actors are supposed to act.

I'm scared by the enormous amount of bottled water being consumed today, instead of people drinking filtered tap water. Did you know that nearly 90 percent of those plastic bottles are not recycled and wind up in landfills where it takes thousands of years for the plastic to decompose?

I've done 'Two Gentlemen of Verona,' I've understudied Iago in 'Othello.' I've done Mercutio in 'Romeo and Juliet.'

My dad worked as an executive at Lockheed Aircraft and worked on the U-2 and things like that. My mother was a homemaker, and she was vice-president of the Democratic Council of California back in the '50s.

Some actors get by with behaving, not acting. You've got to sell the effect. I act more in the 'Nightmare' movies because it's not like me. I'm acting, not reacting.

Sometimes jobs are jobs, and when you guest star on television, you're also working with a guest director. You're the new kid on the block, because everyone else is already in the ensemble.

The technologies of convenience are making our sphere of exploration and experience smaller.

The truth of it is when you get an audience to laugh and camp along with you, it's much easier to scare 'em again because they're using two sides of their emotions. It's much easier to set them up for a good cheap thrill scare again.

There'll always be movies that are meant for the big screen, and they should be seen that way.

We all have to change with the times... it keeps you younger; it's a new challenge.