I definitely have character arcs in mind for each character unless I kill them.

Tech Jacket shares the same tone as Invincible, but the subject matter is very different. Where Invincible is about perfection, Tech Jacket is about flaws.

Well see, I'm a good enough writer that not everybody in my books talks exactly like I do.

Fights in real life between real people only last so long before someone gets seriously hurt.

I'm only 24 so I like to think I'm still close enough to 17 to still remember what it was like. Besides, I could just fake it and get away with it... it's not like there are any teenagers that still read comics.

I will say that Rick will probably die before the end of the book. I'll go ahead and put that in print. Nobody's safe. I've almost killed him three times already.

If I'm grumpy I sure do enjoy writing The Walking Dead.

Well, don't tell Steve Niles but I just don't think horror works in comics.

I want to spend my time exploring the characters we've already got here. I want to give them more time to shine before the team gets to have 400 members.

I have trouble writing if I can't picture how things are going to look.

I have things planned for every character like what they're doing down the road and coming to different realizations but I don't have how they overlap.

I definitely have character arcs in mind for each character unless I kill them.

I think Walking Dead is more of a stretch for me because I'm a light hearted superhero kind of guy.

Last year I think I made more from my Image books than anywhere else.

It's nice to know that what you're doing is being read and enjoyed by a good deal of people.

I will work on Invincible until I am made to quit.

I like good stories above all else... and kickin' art really goes the final stretch to ensure a comic is good.

I write the way I write.

I know there are a lot of readers that think I've got a very crappy marriage just because of the things going on with Rick and Lori but there's really nothing that's been like a mirror. I'm just making this stuff up.

It's no secret that I love the Ultimate line.

I don't presume to think I'm great at anything.

The important information you need at the beginning of an issue. Like way they did the old Frank Miller Daredevil issues in the first five pages he always had to state his origins and how he got his powers.

I'm all for selling books, but when guys are burning my house down, that's where I draw the line.

I think Walking Dead is one of the friendliest new reader type books in that every time a new trade is shipped out, a new issue is shipped out at the same time.

I make a lot more off the trades and Image than Marvel.

June 2005 is the five year anniversary of the debut of Battle Pope.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.