Abstraction is everybody's zero but nobody's nought.

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.

Artists themselves are not confined, but their output is.

Art's development should be dialectical and not metaphysical.

Nature is never finished.

Mistakes and dead-ends often mean more to these artists than any proven problem.

Language operates between literal and metaphorical signification.

An emotion is suggested and demolished in one glance by certain words.

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.

Questions about form seem as hopelessly inadequate as questions about content.

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

History is a facsimile of events held together by finally biographical information.

Artists are expected to fit into fraudulent categories.

Parks are idealizations of nature, but nature in fact is not a condition of the ideal.

Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art .

A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

Visiting a museum is a matter of going from void to void.

Language thus becomes monumental because of the mutations of advertising.

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy.

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

Nature does not proceed in a straight line, it is rather a sprawling development.

Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.

Words for mental processes are all derived from physical things.

Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future.

Abstraction is everybody's zero but nobody's nought.

Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.

Painting, sculpture and architecture are finished, but the art habit continues.

Language should find itself in the physical world, and not end up locked in an idea in somebody's head.

Language should be an ever developing procedure and not an isolated occurrence.

Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.

From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.

Museums are tombs, and it looks like everything is turning into a museum.

The scenic ideals that surround even our national parks are carriers of a nostalgia for heavenly bliss and eternal calmness.

Lets face it the human eye is clumsy sloppy and unintelligible when compared to the cameras eye.

It's all about balance, and I have so much happiness in my career and am fortunate to travel the world and see so many amazing things - it will also be nice to be anchored to something grounded and in the same place. Raising a family will be a wonderful part of that.

You know, I don't think any mother aims to be a single mom. I didn't wish for that, but it happened.

Be very wary of any attempt by anybody or anything to limit the ultimate human right and duty to question and verify the truth.

Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.

I'm thinking of you, that's all I do, all the time. You're always the first and the last thing on this heart of mine. No matter where I go, or what I do, I'm thinking of you.

I love baseball. The game allowed me the influence to impact kids in a positive way. This gives me a chance to talk to some social issues.

It would be cool to be on a Disney show.

If we do what is necessary, all the odds are in our favor.

I am honored to receive the James Beard award and so incredibly proud of my entire team at Eleven Madison Park.

You can be a decent critic if you know about food, but to be a really good one, you need to know about life.

I think IT projects are about supporting social systems - about communications between people and machines. They tend to fail due to cultural issues.

But I think it's a little different in Europe, because 40 is really the best age for a woman. That's when we hit our peak and become this ripe fruit.

They don't teach you just how to be in school. There's no class on that. There's no multiple choice test for Why Do I Feel This Way?