After I do a big movie I get offered big movies. But I always do the weirdest indie.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

I haven't really done a lot of comedies. I don't know why, because I really like them.

My friends that are snobs think its cool I did a movie with Albert Brooks.

I really wanted to be nasty and mean and bad. It's so much easier than being the good girl.

Movies are getting more and more expensive to distribute. You need a lot of money to get people into theaters.

A film's success or failure is strictly on the director's shoulders.

I'm from Chicago. My grandfather was a policeman, and my aunts are married to policemen.

Thirty years ago, there was definitely a huge difference between men and women, and the man wanting to feel like the protector, and not scare the wife.

After I do a big movie I get offered big movies. But I always do the weirdest indie.

This Tourette's center sent me a package that was like 900 hundred pages.

I've quoted Lost in America several times.

People do eventually see something that's quality.

In acting there's two different things: You're either pitching in a scene, or you're catching.

I usually play disenfranchised youth.

After I read all the medical journals and watched all the documentaries, I still didn't understand the physical sensation of ticking and where it comes from and what it feels like.

The Craft was what it was. People who respond to that movie respond to it really strongly.

I'm attracted to roles where I don't have to wear makeup.

I've been doing this long enough that you can tell when people have seen you in something they didn't enjoy, and when they have seen you in something they actually enjoyed.

People work really hard to get to a certain point. But they have to work just as hard to stay there.

I'm really proud to have been in The Craft. I will always be that chick from The Craft, no matter what I do.

I did a film about the Zodiac Killer. It turned out well.

I'm a firm believer that actors take to work who they aren't at home. People show their other self in their art or in their work.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

Racing Stripes was so much fun to do. It's one of the funniest movies I've seen in a couple years.

I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.

I feel like I'm a fighter. I've fought my whole life to get to where I'm at. I like fight movies. When someone gets knocked down, I like to root for him to succeed.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look.

That is why it's so fun to make movies... you get to do lots of things you would never do in your normal life.

I think it's time to do clean-up for a generation. I believe this is one of the movies that hits home for all colors and all races. Everybody I talk to, black or white, suburban, rich or poor, can relate to rejection, can relate to not having a father or a mother.

But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.