I'd wanted to be an actor from the age of five.

I've no regrets. You take responsibility for your actions.

Playing Fagin in the play and film was a small miracle.

Working on a film, you don't get time to develop rivalries, but the theatre is like a little village, and the differences between me, Lionel and Georgia grew.

I'd wanted to be an actor from the age of five.

Fate destined me to play Fagin. It was the part of a lifetime, and I was the only actor to be in the stage production and in the film.

My training was that you fill in the canvas where it needs colour and polishing. You start with the words on the first night and keep adding bits of business.

For me, making the show work was getting belly laughs - like most variety artists. But the straight actor believes you fix your performance in rehearsal and that's it.

Now I can see I was at fault for not being more considerate, but when we were doing the show I didn't think it was my job to be considerate to other people.

My portrayal of Fagin was all to do with my experience in comedy and revue.

Fate destined me to play 'Fagin.' It was the part of a lifetime.

I felt very insecure about whether I was up to recreating my stage 'Fagin' in front of a camera.

I grew up with music hall and revue and was used to filling in the little gaps here and there to get bigger audience reaction.

I love getting up in the morning with nothing else to do except write.

I never thought about settling down. I was obsessed with my career - I was blinkered. I finally met a woman who was worthy of me. Then we settled down and had many children.

I was offered Fagin-type roles, but I wanted to do new things. I could have worked in America, but there was a recession in the British film industry, and I wanted to work in England. I've no regrets.

I watch people constantly.

I went to the London School of Economics to study sociology and psychology on a serviceman's grant.

I would have liked to have been a professor of sociology.

I'd been collecting eccentric moves since I was a kid and didn't even know that the dance step I improvised in 'Be Back Soon' was called a 'pas de basque.'

I'll never forget seeing 'Guys and Dolls' over and over. I used to sit up in the coliseum watching this magnificent musical. Brilliant.

If we destroy the biosphere, then mankind will die. We all waste our time worrying about stupid wars and petty jealousy and greed, and all the time, we're sitting on a time bomb.

My proudest moment was the number 'Reviewing the Situation.' I suspect that, because I gave my all to the role and because I was working with such a fine team of people, it inhibited my future career.

Pressure makes people react in different ways. Some people plunge in, and others take the way out.

Summer of 1967 was one of the happiest times of my life.

The day after the Oscars, I flew back to London to film a television play for Anglia. It was a big mistake because you never really get acknowledged for wanting to work in England, as I did.

The world is always reinventing itself, and so should you. I used to say, 'I haven't started yet.' Sadly, most people don't develop their potential.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.