The great thing about arriving at this age is that I don't even care about my career anymore.

I've never worked with a tail, that I can remember. But there's so much I can't remember.

The great thing about arriving at this age is that I don't even care about my career anymore.

You draw on your own childhood every time you tee it up as an actor.

I never direct myself, because I don't like working with me. I would punch me in the mouth if I had to take my direction.

I just think that there are those people that their resolve is strengthened by what it is that's keeping them down, and there are some people that will buckle under it. You never know which one is which until you get into the eighth or ninth round of the fight.

I will not do a role that I don't think I can do, that I'm not interested in, where there's no humanity, that doesn't have any kind of handle for me at all because I know I'll just stink the joint up.

Yeah, it's nice to get paid for therapy rather than having to pay $240 an hour for it.

I think there are a lot of technocrats in the business who would much rather work with just wheels and gears and machinery. Those things interest them more than humanity and I wish them the best of luck.

I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.

I'm thankful to be breathing, on this side of the grass. Whatever comes, comes.

Almost all of your life is lived by the seat of your pants, one unexpected event crashing into another, with no pattern or reason, and then you finally reach a point, around my age, where you spend more time than ever looking back. Why did this happen? Look where that led? You see the shape of things.

Distortions control my self-image, like they do for a lot of us. It's irrational.

Every job has a unique situational circumstance.

Every time you get on a stage or in front of a camera, the whole exercise is about imagination. You're constantly depicting something that doesn't exist, and trying to find the reality of it. Once you settle on that premise, everything else is a matter of degrees.

Fearless people are interesting to watch.

I actually think it's harder to play vulnerability, because you're having to delve deeper into portions of your own psyche, what it is that makes you human.

I couldn't make it on the swimming team in high school. In fact, I got thrown off the swimming team and was forced to audition for the school play because they had at the audition about 35 girls show up and no boys, so my swimming coach suggested that I might be able to do the drama department more good than I was doing the swimming team.

I do voicework all the time.

I feel as though my criteria are based more on how challenging the role is, it doesn't have to fit into any particular profile, is it something that I've never done before, and is it something that I feel like I can really feel challenged and therefore fully engaged in, and that's when the work gets to be the most fun.

I live in a bubble.

I say yes to almost anything that comes my way.

I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.

I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.

I'm a city boy.

I'm continuing to do research into biker culture.

I'm fully aware that things that resonate and become real hits are the exception to the rule, so much so that I've wired myself for failure.

I'm just trying to make up for lost times, and I have total awareness that when the work is coming it doesn't mean it's going to continue to come, so I'm taking advantage of this phenomenal period that I'm in now, to its fullest.

I'm kind of one of these guys who wants to play everything once before it's all over.

I've been a professional actor for almost 40 years.

I've been busy and not busy, and busy is better. I've been busy, but I went through a lot of periods where it was lean for a lot of times.

I've certainly been very blessed with opportunity.

I've had biker clubs reach out to me whenever they knew I was in their city.

I've never been pigeonholed and I've experienced so many different kinds of skin - what man will do and won't do, what you should do and shouldn't do. This is what's exciting about being an actor; where philosophy majors sit in classrooms or write books about human behavior, we're actually acting them out in front of cameras.

In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.

Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.

It's really disgusting what Hollywood can do to a guy.

Living off the grid and being kind of an outlaw brings a dangerous reality.

My self-confidence didn't come from my appearance, it came from other things that I did. But certainly not my appearance.

Really, I was such a late bloomer, I really didn't learn how to be me until I was in my late '40s, which is when I started playing roles that were closer to me.

Season 4 can be deadly for a show that's been a hit show.

So much of my aesthetic was formed by my dad.

Some of the great characters that I've played had to be transformational.

Somebody who doesn't care if they live or die is the most dangerous human being on earth.

The luxury of television is that you get more than one shot at who you think the guy is that you're playing.

The thing that's cool about the recording booth is that it's so perfunctory, so cut-to-the-chase.

There are always great deals of humanity in the characters that have been offered to me.

Well, I don't have an agenda.

Well, I love acting, and I love acting quick.