But some actors I have met possess an intelligence that I can only dream of. It's about character, it's about behavior. They understand things about people that I simply don't see.

I think it's good to meet smart people and talk.

Nobody has a franchise on what is good.

I still think I'm going to do something else when I grow up.

I just don't get invited to the same dinner parties I used to like to go to.

If I don't see my kids for six days, I start to get withdrawal pains.

I don't even like to use the word relationship. I don't know what it means.

I can't talk about foreign policy like anyone who's spent their life reading and learning foreign policy. But as a citizen in a democracy, it's very important that I participate in that.

I kind of dwindled into acting.

It made me think about a whole area of human activity that was not really a concern to me before that, because I was involved in reading Chinese history, or languages, or whatever.

I started getting jobs, and I thought it was going to be real easy.

I'm a 9/11 Republican.

I do believe all actors are smart.

I had no desire from an early age to be on the stage.

Acting is not about knowing all this stuff; it's about character.

Too often in the past, U.S. leaders have forced Israel to pay the price for American strategic interests in the Middle East - through concessions in the peace process as well as passivity in the face of Iraqi attacks.

I kind of have a dilettantish spirit about me.

I think you have an obligation to be an optimist. Because if you're not, nothing will change.

It's not like I'm the most famous person in the world.

But why should I run for office and lose what little influence I have?

I've seen people with a tremendous amount of educational background in the field not turn out to be terribly good actors, and I've seen people with no education in the field turn out to be people that I admire quite a bit.

Two, I actually learned a lot of things that served me very well when it came to repeating performances on stage, because it is a craft and you do need a technique for it.

The twentieth century has exhibited a barbarism and lack of respect for human life on a massive scale just about unknown before.

Anyone who devotes time and attention to what makes people tick, to me, is a smart person.

Artists speak the truth to the public without fear of retribution or damage to their careers.

Then I realized that to be really good at this requires a lot of energy and concentration and skill.

I saw and I met a lot of people who were in the field. It also provided a context in which I came to respect what the actor did, because I saw how difficult it actually was to do.

Involvement in public affairs is a legitimate use of celebrity.

But some actors I have met possess an intelligence that I can only dream of. It's about character, it's about behavior. They understand things about people that I simply don't see.

In Europe, people in the arts are considered part of the intelligentsia; they are considered part of the elite.

Nothing gets a bigger laugh than when you refer to things like ethics or human rights.

For about the first ten years of my career, I wasn't terribly motivated.

If you don't think you want to go on a train and read the paper every day and work from nine to six at night, there was something about the uncertainty when I was younger which was very attractive.

I was immature the way I handled the business. I saw myself as a tribune of the people.

You have to think an awful lot about your motivations or people's behavioral intentions or what their body language can indicate or what's really going on or what makes people sometimes do, sometimes, the irrational things they do.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.