I take the longest to get ready of anyone. I've been going in two hours before the show every performance.

They gave me four weeks, and I asked if the first week could be just music with the two main conductors. So, the conductors came over to my home, and we worked in the music room, and I learned my two little songs.

Our show was - it remained - you know, kids could watch it and laugh at it. And they wouldn't know - they wouldn't get the jokes. But they would laugh at it. So they tell me now they have grown up and they're watching it. Now they get the jokes. But we didn't say anything blatant.

We stopped doing my clothing line about five years ago, so it isn't available anymore.

Cruelty is one fashion statement we can all do without.

The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to.

The first clothing line I had was called Very Rue. Then we changed the name and moved to QVC, and the name became A Touch of Rue.

I take the longest to get ready of anyone. I've been going in two hours before the show every performance.

I didn't know anything about breast cancer when I got it.

I almost fainted. There was no family history. I had been eating a vegetarian diet and I exercised.

We have one cat. I had eight cats and six dogs in Los Angeles.

I've been allowed to develop my own character, which I'm still working on.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Firms would be given initial entitlements to gross markup on the basis of past performance. These entitlements would be transferable and a market in them would be developed.

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.

To boast of a performance which I cannot beat is merely stupid vanity. And if I can beat it that means there is nothing special about it. What has passed is already finished with. What I find more interesting is what is still to come.

The next day I was in my school's production of All My Sons. This was the performance where I realized something was happening between me and the audience that I hadn't recognized before.

From protecting our natural resources to providing maritime security and national defense, the Coast Guard's duties are broad in scope, and the performance of those duties has never been more important.

To vote is like the payment of a debt, a duty never to be neglected, if its performance is possible.

I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance.

Unless an entire row of people got up in the middle of a performance and left the theater in disgust, I felt as though I hadn't done my job.

I'd also like to do a play. I've never done theater, and constantly changing and refining a performance is something I'd like to do, even though it may sound like work to some people - and it probably is work.

What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of a composition.

I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.

I've done scenes in films that I felt like the performance was better in certain takes, but they couldn't use them because it didn't match what the person was doing when they came around and the camera was on them.

I am always more interested in performance and character depiction, and my direction says as much.

Did you know I staged the first performance in America of At the Hawk's Well?

An arts education helps build academic skills and increase academic performance, while also providing alternative opportunities to reward the skills of children who learn differently.

What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist's performance on whether or not they had a good seat?

What does my performance have to do with Russell Crowe's? Nothing. If I play Gladiator and we all play Gladiator with Ridley Scott in the same amount of time, maybe we have a chance to see who did it best.

A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.

Performance is your reality. Forget everything else.

The eating of burning brimstone is an entirely fake performance.

Offspring, the due performance on religious rites, faithful service, highest conjugal happiness and heavenly bliss for the ancestors and oneself, depend on one's wife alone.

Performance art can involve the audience with taste, smell and sounds not available with electronic media and not practical with conventional theater. This is due to the usually small audience.

Confidence... thrives on honesty, on honor, on the sacredness of obligations, on faithful protection and on unselfish performance. Without them it cannot live.

The value of old age depends upon the person who reaches it. To some men of early performance it is useless. To others, who are late to develop, it just enables them to finish the job.

If I had a bad performance in a particular leotard, I threw it in the trash.

We need to make sure parents and coaches are aware of the dangers an on the look-out for the warning signs. Performance enhancing drugs are too damaging to young people for parents and coaches to not be involved.

No one will ever argue that someone could have played Helen Keller better than Patty Duke. It was an incredibly demanding role and I don't think anyone can argue that it was a false performance.

Personality is essential. It is in every work of art. When someone walks on stage for a performance and has charisma, everyone is convinced that he has personality. I find that charisma is merely a form of showmanship. Movie stars usually have it. A politician has to have it.

It is the element I miss in electronic music - no performance, no loving immersion. Maybe that is why I was never particularly drawn to electronic music.

My first impression when I made it through was 'Good, because I'm going to prove to you that I deserve to be here', because they told me that sometimes I lack confidence in my performance and sometimes I'm not as consistent as they'd like me to be.

It was important to have a similar energy in my performance. To make the character too different would have just been about my ego because it didn't need to be drastically different.

As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.

A performance art piece is unprecedented. It is difficult to censor since it has a good possibility of never being done before.

People should be judged on the basis of their performance, not nationality, personality, education, or personal traits and skills.

The only thing you owe the public is a good performance.