I like villains because there's something so attractive about a committed person - they have a plan, an ideology, no matter how twisted. They're motivated.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I like villains because there's something so attractive about a committed person - they have a plan, an ideology, no matter how twisted. They're motivated.

There's nothing like sitting back and talking to your cows.

Some of the things you read you get an immediate reaction to so I've stopped reading things now. I do worry about my family though. Some people do try some nasty things to get at them and try and get a reaction from them.

People accuse me of being arrogant all the time. I'm not arrogant, I'm focused.

Meg Ryan is a beautiful and courageous woman. I grieve the loss of her companionship but I've not lost the friendship. We talk all the time and that was what our connection was about. She has a wonderful mind and we just like a chat.

God bless America. God save the Queen. God defend New Zealand and thank Christ for Australia.

Like everyone else, I've had moments when I've felt that I've been losing my grip.

When I was a little kid, I used to really embarrass my parents.

I'd move to Los Angeles if New Zealand and Australia were swallowed up by a tidal wave, if there was a bubonic plague in England and if the continent of Africa disappeared from some Martian attack.

The important thing to me is that I'm not driven by people's praise and I'm not slowed down by people's criticism. I'm just trying to work at the highest level I can.

I'm destined to be attracted to those I cannot defeat.

I have respect for beer.

I don't make demands. I don't tell you how it should be. I'll give you options, and it's up to you to select or throw 'em away. That should be the headline: If you're insecure, don't call.

If I don't get the goose-bump factor when I'm reading it than I can't do it.

I really feel sorry for people who are, who divide their whole life up into 'things that I like' and 'things that I must do.' You're only here for a short time, mate. Learn to like it.

There has to be a mathematical explanation for how bad that tie is.

Directing is like looking at the stars on a cloudless night. You get away from all light sources, and you look up, and you see 50 points of light. And a minute later 100 and another minute later 1,000 and then 10,000. And then this swirling gigantic carpet above you, and somehow it all seems to connect.

For filmmakers who've made multiple movies, they have experience, but they only have experience of themselves as a filmmaker. Whereas I'm bouncing around from different skill sets: the organizational ability of Ridley Scott to the precision of a Ron Howard to the artistic sensibilities of a Peter Weir... to the scope of a Tom Hooper.

From a young kid, I was quite interested in religion.

I always say I've given 24 insufficient performances and I'm looking forward to the time in my life when I'll do something that I think is good. There's always stuff you can do better, stuff that maybe you didn't uncover enough. But if you do something that you truly believe is perfect, then that's got to be the last movie you do.

I believe in singing for my supper. I'll never accept a grant because what I do should be able to be founded purely on free enterprise.

I didn't get married to get divorced.

I don't play chess with my life, ya' know.

I have a passion for music, and I enjoy the process of expressing myself within the parameters of a pop song, and I don't do it to seek anybody's approval, necessarily. Obviously, you go on stage, and you enjoy it when people respond to a particular song, but the overall concept of playing music I do for myself.

I look for the role that excites me and work with whoever that director happens to be, wherever he wants to shoot the film.

I respond in the moment which is what makes me a good actor.

I want to make movies that pierce people's hearts and touch them in some way, even if it's just for the night while they're in the cinema; in that moment, I want to bring actual tears to their eyes and goosebumps to their skin.

I was too kind of brave and proud to want a dialect coach because I thought that showed weakness in my armor. But then you just learn it's a more efficient way of doing it. A dialect coach is really important because it takes a certain technical responsibility off your shoulders.

I'd like to play passionate women, but no one will let me.

I'm a virtuoso in my job in that there's not an actor I can't go into a scene with and be absolutely confident that, whatever is required of my character, I can do it.

I'm sick to death of famous people standing up and using their celebrity to promote a cause. If I see a particular need, I do try to help. But there's a lot that can be achieved by putting a check in the right place and shutting up about it.

I've been voted one of Australia's 50 national treasures. I've even had my face on an Australian stamp - the only non-Australian to do so, apart from the Queen, of course.

I've got bits falling off me. I'm not made of rubber. That's from film stunts. Every single injury I have is related to a movie. I know that sounds fundamentally embarrassing.

I've loved Danielle Spencer since 1989 - that's never going to change - and that's one of those things where I stare at her and go, 'How did it fail?' I still can't work it out, because my feelings for her have never changed.

I've never, ever in my life touched a photographer. Some of the cruellest things I've ever said have been to photographers who are chasing me down the street, some of the sharpest, most efficient emotional barbs. And they know that in that moment, in that one-to-one wit competition, they just got smashed.

If there is no blood on the line, it is not rugby league.

If there's anything about someone's life that's important enough to make a movie about it, I have to take responsibility to get all of it right. It's a huge responsibility.

If you put 20 cents in me and ask me to talk about South Sydney, I'll play all night.

If you're a waiter, the worst thing you can do is go to work resenting your job. This will sound trite - but it's the reality, and part of my personality - yet when I was a waiter, I tried to be the best waiter, and when I was a bingo-caller I tried to be the best bingo-caller.

It is important to dress for success.

It just seems like a religion that is perfect for people who feel like they need a grounding, who feels that the world has run off on them. I've discussed this with Scientologists, and they don't disagree. So, for a certain type of person, that's great.

My children have never watched any of my films. Charlie knows that daddy makes movies, but he says they are not good enough for him to watch.

My days, if they start in the morning with a cuddle from my son, are just so much more glorious than they were prior to that.

No matter how long you'd been in the country, if you weren't in Australia for the majority of 2000 to 2002 - when I was particularly busy filming overseas - you can't become a citizen.

South Sydney is a very complicated and wonderful place. You have some of the most expensive bits of real estate in the country and a large percentage of government housing.

There's an ease that I have living in Australia. The best things about Sydney are free: the sunshine's free, and the harbour's free, and the beach is free.

War isn't just about bravery and courage and jingoism and patriotism. It's also fundamentally about grief. And the people that go and do the fighting and the dying are never the people who actually benefit from the fighting and the dying.