I think we just knew that we had a movie when Rachel walked in the room.

I just have my own taste, and I just try and stick with that. I'm just trying to play as many characters as I can for as long as I have an opportunity to.

I just sort of take it from a character perspective, and I don't know if he was necessarily spiritual, but I do think he had hope. He was a character that was comfortable having hope in his life, and hope is faith.

Freedom is such a gift.

I don't like to be entertaining. I don't like the feeling of being entertaining. If there was a musical or a comedy that was not just for entertainment but was rooted in something I could relate to on a real level, then I think I would do it.

For me, I sort of felt like it was kind of a fairytale... but an interesting one. I don't know of anybody who has had a romance quite like this, but I certainly know people who have stuck it out.

I think it's more interesting to see people who don't feel appropriately. I relate to that, because sometimes I don't feel anything at all for things I'm supposed to, and other times I feel too much. It's not always like it is in the movies.

I think we just knew that we had a movie when Rachel walked in the room.

I feel like everything has happened naturally.

I like working with actresses, and I like women a lot, not for obvious reasons, but just in that that there's so much about what they bring to the scene that keeps it so interesting. Their instincts are so different, and they never explain them to you.

I try not to discriminate against genres.

If you do one good thing, that doesn't define you either. Being around the kids in the juvenile center, they were engaging, they made us laugh but they were there for doing something terrible.

I don't think you can discriminate against budgets, you know? I'm an actor, I guess, so I'm just trying to play as many characters as I can. If there's a character I think I can play, and they're going to let me do it, I'll do it whether it's $10 or $1 million or more.

I think about death a lot, like I think we all do. I don't think of suicide as an option, but as fun. It's an interesting idea that you can control how you go. It's this thing that's looming, and you can control it.

I'm glad I have an outlet. I don't think I would put my aggression elsewhere, but working on the projects I have worked on, you tend to benefit personally from trying to wrap your head around the way other people look at the world.

You know us crazy kids. We'll do anything crazy to our hair.

I try to play characters who are different from myself, so I feel like this character is someone who is really different. I actually think that if I did what he did in this movie, I would get a restraining order put against me.

I feel it's important to show that one thing that you do doesn't define you as a human being. It doesn't mean there aren't ramifications or you shouldn't pay for that but its not who you are.

I think we're very complicated and we're capable of all kinds of things, and movies don't reflect that.

I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way.

Hollywood usually doesn't have strong woman in films like that, and it's stupid, so for the most part they're usually being directed and written by men.

I have a friend that is a WWII buff, and we sat and talked a lot about stuff like the war and the reasons behind it, and you now it's all in the uniform. Once you're in it, it usually does all the work for you.

'The Nice Guys' fulfilled my 1970s fantasy.

A car is only trouble at a certain point.

Acting isn't that hard, really. I mean, I think that people make a big deal about it, but you just kind of try to say your lines naturally.

Actors become very professional and proficient about watching out for each other's light and not stepping on each other's lines.

All my characters are me. I'm not a good enough actor to become a character. I hear about actors who become the role and I think 'I wonder what that feels like.' Because for me, they're all me.

Any time you stick your neck out in high school, there's someone right there to chop your head off.

Anybody could write a bad script, and I'm one of them, you know?

As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.

Do you remember when Fabio got hit in the face with a pigeon on the roller coaster, and it broke his nose? Sometimes I feel like I'm the pigeon, and the Internet is Fabio's face. Actually, I don't know if I'm the pigeon, or I'm Fabio's face. Depends on the day, I guess.

Falling in love is a narcissistic endeavor. You play the role of lover, and you find someone to act it out on.

For now, I'm just going to keep doing the work and hope I don't get fired. If people want to put me up on their walls, I'll love it.

I always wanted to do a comedy, but I wanted to pick the right one. But it came down to working with Steve Carell. I've wanted to work with him since I met him years ago as a kid.

I always wanted to entertain. When I was six, a scrawny, scrawny kid, I'd get in my red speedo and do muscle moves. I actually thought I was muscular. I didn't know everyone was laughing at me.

I danced a little as a kid here in Canada: in Ottawa at the Elite Dance Studio and at the Top Hat Dance School in Cornwall where I grew up. So I had some experience of having to learn routines.

I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life.

I did what I had to do to get where I wanted to go. I had unearned confidence.

I didn't want to make a literal film about Detroit, because it felt like what they were experiencing was more universal than that.

I don't believe in ghosts.

I don't believe my house was haunted. I think I had an overactive imagination, and I was so convinced that those around me became convinced, too.

I don't even think of myself as particularly good looking, and not at all a typical kind of Hollywood leading man sort of actor.

I don't know enough about manliness to define it.

I don't know specifically what scenes I'd like to see violence in - I crave violence when I'm watching a John Hughes movie.

I don't like the process of meeting someone and you make a film and that's it. You think you're just getting started, and then it's over.

I feel like I think like a woman because I grew up with my mother and my sister, so I've just been programmed to think like a girl.

I felt like I was going crazy as a kid. I wanted to be man, get a job.

I got a Twitter because some guy was pretending to be me.

I grew up Mormon. I wasn't really Mormon, my parents were.