I really fought to make my character not a stereotype. I play a soap star with dyed blonde hair.

It is so important that you don't stay with someone just for the children and for the wrong reasons.

I really fought to make my character not a stereotype. I play a soap star with dyed blonde hair.

I'm always the girl at the party who, within five minutes, has taken my heels off, hitched up my dress in my knickers, and probably spilt drink down my cleavage.

I find a lot of young filmmakers make too much of an effort to be trendy and they can be pretentious.

I've concentrated for a long time on English films because I've got two kids but my oldest son is 11 and I think I'm going to be away for about four months of year now.

At home it's all Batman and Star Wars and they do gang up on me. Sometimes I don't want to dress up as Darth Vader or play train sets, so I'll go out for a drink with the girls.

I'm playing a very strong character, it's the story of the woman Polish Jews out of the Warsaw ghetto. I've just begun my weapons training and the SAS type training that's getting me fit.

When you love someone so much that you are in pain when you are apart it ends up being destructive. I never want to be in that place again.

I never thought I'd spend all my life with Gary. I suppose I was quite cynical about marriage. But with Jude, I knew right from the beginning: there was an electricity I'd never felt before. It was so easy, we talked for hours. It was a relief, really.

I haven't done an international film for a long time.

I always wear flat shoes, because I can't walk in anything else.

When I had my first boy it all started and that male energy seemed to keep me awake but since my daughter, who's incredibly serene, I can't seem to stop sleeping because she's asleep all the time. It's a pattern.

Just to be remembered is good enough for me. Lots of people are forgotten.

I'm the kind of person who'll have a few drinks and fall asleep at 11.

My parents are from Manchester but I was brought up in London, Camden Town.

There are people out there who want me to fail, who want Jude to fail, who want our relationship to fail.

From 16 years old, I wanted to have a baby, that's all I wanted.

I don't allow meat in my house or in my oven. My whole family is vegetarian - and although I've given my kids the choice to order meat at a restaurant when they reach five, they're not interested.

I don't like it when people don't act on their words.

I really enjoy making dinner for my kids and my husband - chopping ginger and marinating the tofu.

I want to get up at 6 A.M. and go swimming and do 30 lengths.

I'm a strong woman.

I've never worn fur, either. I'm a naturally squeamish person, and fur smells like dead animal to me.

If the kids did want to get into showbiz then so be it, but I would never project anything on to my children.

My kids inspire me to be the person I am today - without them I wouldn't be who I am today.

My style is scruffy with a touch of androgyny.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.