My parents were political, so it's definitely in my bones. Wherever I am, I always seem to get involved with politics. I think, once it's in your bloodstream, it's always there. I love it.

My parents were political, so it's definitely in my bones. Wherever I am, I always seem to get involved with politics. I think, once it's in your bloodstream, it's always there. I love it.

I think politics can no longer be assigned to parliamentary activity and it probably never could be. But politics with a small p and the history of trade union movement really interests me.

He makes me laugh, Mick! He tended to turn up when we were having lunch and entertain us all. He bought an Enigma machine! I've never worked with a producer who was more famous than everyone put together.

I had a happier experience of the city as an actress than I had had as a model.

What am I doing in this silly showbiz life? I do wonder that sometimes.

It's always a help when you have worked with someone as you've got to know them a bit already.

Location work has its charms, and can seem glamorous on the outside, but I think living at home and having the stability of a home life once you've finished work is very underrated!

I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.

Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.

For a woman to say she has had a dalliance with another woman is quite trendy these days. I do not like trendiness. Life isn't about dalliances - it's about individuals. You come across people in your life that you find very interesting. It's not about something flighty.

Having spent a number of my younger years with trade-union parents attending NUT annual conferences, I feel comfortable with an agenda in my hand and a procedural format for debate.

I grew up in a strongly socialist family. While I was at school, I worked in party politics and with organizations like the Anti-Nazi League. Everywhere I saw it, I fought prejudice.

I have seen the Gore documentary 'An Inconvenient Truth,' just released in the States, and admired the acutely revolutionary delivery of the slideshow assisted talk he has now been giving for some 16 years.

I like being in love, but loving is what is crucial to me. Loving is the reason to live.

I play the guitar. This year at the Sundance film festival, I joined the band from 'The Guitar' on stage. We warmed up for Patti Smith, and then the director Michel Gondry got on the drums to play some songs from the soundtrack to his film Be Kind Rewind with Mos Def. It was pretty mad.

I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.

I'll always take Scrabble and chess if I'm going filming. But I do have the Scrabble dictionary, which can be infuriating for other players.

I'm not very good with stills. I get all twitchy.

I've always been a strong feminist and felt that the image of models was detrimental to women. That whole thing really bothered me. I would think about quitting about once a week.

If I was going to make a broad generalisation, I'd say that I prefer the company of women. People know now that I live with Mike Figgis, but I prefer not to talk about it. On one level, privacy is important, but on another level I have no desire to deny certain things.

In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.

It helps being from somewhere other than Hollywood, not having grown up with that sense of film-making. I really wasn't exposed to that as a young woman.

When I was a child I wanted to be a petrol pump attendant. I suppose you have all sorts of thoughts as a child and at the time I figured that it was a way to avoid doing anything like going on stage.

When I was little it was a great time for film-making, with stuff like Mike Nichols' 'Silkwood.' The films you see in that pre-secondary-school stage stay with you in a very particular way.

When your life is as precious as all our lives are, then it needs to be kept precious and looked after and treated well. And that is not something we should be sharing with a wider audience.

You can't ignore the system and the power you acquire as an actor if you're in films that are successful.

We assume that celebrities have it easy and so love to watch them having to endure a bit of hardship.

I love Nautilus and stretching. The results are immediate, and that gives me the motivation to continue.

I am a ordinary teenager. I fall in love like everyone else.

I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me.

The essential elements of giving are power and love - activity and affection - and the consciousness of the race testifies that in the high and appropriate exercise of these is a blessedness greater than any other.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

My goal is, of course, for this show to do well, and I would love it if people liked it.

I love living on that stage. Without that, I'd die.

I love my DSL, but I love my WiFi more. And I probably get on the Internet 40 percent to 50 percent more because of the combination of those technologies.

But I love New York. I used to set my alarm clock when I was there, and get up at 4am and get a coffee, just because I could.

I love children and I love men, but I can't commit to either for the rest of my life.

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

The wise are wise only because they love. The fool are fools only because they think they can understand love.

We can recognize the dawn and the decline of love by the uneasiness we feel when alone together.

Love is a mutual self-giving which ends in self-recovery.

People react to fear, not love; they don't teach that in Sunday School, but it's true.

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.

There is love there. And then there's times when I can't even stomach Simon. You don't have to sit next to him. That's all I have to say.

When I see children, I see the face of God. That's why I love them so much. That's what I see.

One can love a child, perhaps, more deeply than one can love another adult, but it is rash to assume that the child feels any love in return.

I love pasta with the homemade marinara sauce I had as a kid.