Any of these Vietnam vets that have been there and know the deal, they don't feel that any Hollywood endeavor about the Vietnam era has ever gotten it right yet.

I don't want to be known as a sex symbol. There's a great stigma that goes with that tag. I want to be a Sam Elliott.

I was single-minded on what I wanted to do since I was like nine or ten.

I've spent my entire career on horseback or on a motorcycle. It boxes you in, the way people perceive you.

I read a lot of scripts. Most of 'em go to other actors.

The opportunity, number one, to work with Ang Lee is an amazing thing for me.

I'm a four star general in this thing, and you don't rise to the ranks of a four star general by hanging about the house being the perfect dad.

I just went to see too many movies and I sat in too many dark matinees watching those old serials.

Any of these Vietnam vets that have been there and know the deal, they don't feel that any Hollywood endeavor about the Vietnam era has ever gotten it right yet.

I think anytime you can affect people in general, in a positive way, then you're a lucky individual.

Hugh Grant is the main man. He's the number one romantic comedy man in the world.

I think I might have been a more interesting actor, had more of a career earlier on, if I had more formal preparation. When I see something ten years later that I was in I think, 'Boy, would I love to do that over.'

I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.

I'll do anything. I'll shave my head for the right job. I'm partial to my facial hair, I guess, but I also enjoy doing something where I look totally different, which is kind of the reason why I've always worn long hair. I can really change my look radically by getting rid of it.

I'm picky, very picky. I wanted to be an actor since I was nine years old, and I figured that was only one way to ever have any longevity, and that's to be careful about what kind of work you do.

I've spent my entire career on horseback or on a motorcycle. It boxes you in, the way people perceive you. I read a lot of scripts. Most of 'em go to other actors.

It's never going to get better than working opposite an actor like Jeff Bridges. That's as good as it gets. I don't even know what to refer to him as. He's just a great guy. He's iconic on his own merits.

Making movies is never going to get better than working on a Coen brothers project.

We all respect sincerity in our friends and acquaintances, but Hollywood is willing to pay for it.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I've always thought John Travolta is one of the greatest movie stars Hollywood has ever produced.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Growing up in Hollywood it seemed like every kid was the child of some star. We had no idea that other people would think we were special, because there was no other lifestyle to compare it to.

I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.

Hollywood is kind of a bad world.

It's so crazy in Hollywood.

I don't think I ever understood Hollywood.

I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

Hollywood today is all about being consistent. All thinking in mainstream film business takes place in one box.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

Hollywood is what you make it; you have to choose company with care because you become what they are.

Hollywood is a world all its own.

Silence is the sure sign that you're on your way out in Hollywood.

What is the thing that Hollywood demands most? Sincerity. No place in the world will pay such a high price for this admirable trait.

If you can believe it, Hollywood wanted to change my birthdate. I was born after Valentine's Day, so they wanted to change it to February 14. A Latin lover should be born on Valentine's Day. I said no.

In Hollywood if you are not working, you are a leper. True, you are probably living in the most expensive leper colony in the world.

There are plenty of lesbians in Hollywood, but they're not out. And that's their choice, but I can't do that, it's too important to me.

After 13 years of life on the half shell in Hollywood, I have made a trip where I wasn't a tourist.

What's really exciting for me is communicating to other people and not just going somewhere to make a movie. That's Hollywood to me and it would mean nothing.

No one has a closest friend in Hollywood.

I had been offered a Hollywood contract before my 18th birthday. It gave me the spark I needed.

Acting coaches in Hollywood were always telling me to use my hands and body more. But that was never me. I just breathe and sometimes it doesn't look as if I'm doing that.

Hollywood is a place where a man can get stabbed in the back while climbing a ladder.

This same habitual blindness to spiritual, substantive dimensions of every significant challenge continues to handicap Hollywood.

Well, in Bradford I could say I was brought up in Bradford and Hollywood.