Guernica, Pablo Picasso, 1937, Cubism

London Bridge, André Derain, oil on canvas, 1906, Fauvism.

Woman with a hat, Henri Matisse, oil on canvas, 1905, Fauvism

Improvisation 28, Vassily Kandinsky, 1912, Expressionism

Large Blue Horses, Franz Marc, 1911, Expressionism

"Street, Dresden", Ernst Kirchner, 1908, Expressionism

Les Demoiselles d'Avignon, Pablo Picasso, 1907, Cubism

Unique forms of continuity in space, Umberto Boccioni, 1913, Futurism

Fountain, Marcel Duchamp, 1917, Dada

Nude descending a staircase, Marcel Duchamp, 1912, the Armory Show (cubist and/or futurist)

The Steerage, Alfred Stieglitz, photograph, 1907, Photo-Secession

Light Iris, Georgia O'Keeffe, 1924, Precisionism

Melancholy and Mystery of a Street, Giorgio DeChirico, 1914, Metaphysical Painting

The Persistence of Memory, Salvador Dali, 1931, Surrealism

Dutch Interior I, Joan Miró, 1928, Surrealism

Object, Meret Oppenheim, fur covered cup, 1936, Surrealism

The Two Fridas, Frida Kahlo, 1939, Surrealism

Suprematist Composition: Airplane Flying, Kazimir Malevich, 1915, Suprematism

Monument to the Third International, Vladimir Tatlin, wood/iron/glass model, 1919-1920, Constructivism

Composition in Black and White and Red, Piet Mondrian, 1936, DeStijl

Schröder House, Gerrit Rietveld, 1924, Utrecht Netherlands, DeStijl

The Bauhaus, Walter Gropius, 1925-1926, the Bauhaus

Villa Savoye, Le Corbusier, 1929, International Style

The Robie House, Frank Lloyd Wright, 1907-1909, Prairie Style

Kaufmann House "Falling Water", Frank Lloyd Wright, 1936-1939, Wright's later work

The Chrysler Buildings, William Van Alen, 1928-1930, Art Deco

Bird in Space, Constantin Brancusi, 1928, Organic Art

Reclining Figure, Henry Moore, 1947, Organic Art

Migrant Mother, Dorothea Lange, 1935, Depression Era Art

Nighthawks, Edward Hopper, 1942, Depression Era Art

Migration of the Negro #58, Jacob Lawrence, tempera on masonite, 1940-41, Depression Era Art

American Gothic, Grant Wood, oil on beaverboard, 1930, Depression Era Art

Detroit Industry, Diego Rivera, fresco, 1932-33, Mexican Muralism

It is preoccupation with possessions more than anything else that prevents us from living freely and nobly.

I have always had this energy, which I think of as overdrive.

I never really committed to being an actor. It never felt like it would be possible, I guess.

Conscription is an impediment to achieving the forces Australia needs. It is an alibi for failing to give proper conditions to regular soldiers. We will abolish conscription forthwith. By abolishing it Australia will achieve a better army a better paid army and a better united society.

The obvious is always least understood.

'Unbroken' was published as a help to society.

Latinos care about education, yes, so we need reform, not just money.

Food is available, but it cannot be shipped into an area, so the people in that area suffer the consequences.

With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.

There are seven winners of the Monaco Grand Prix on the starting line today, and four of them are Michael Schumacher.

Take away the government's monopoly, and private groups will do it better.

If I was not allowed to mention that I was in the film industry, I could go six months without getting a kiss.

When you're climbing with someone who always sees the bright spot, even if there is no bright spot, that attitude is really helpful.

We can serve our customers well only if our buying jobs are right. You cannot sell if you haven't ordered wanted goods into your store.

Writers don't write writing, they write reading. When I was a kid, I read four or five books a week. And that is how I became a writer.

I keep these songs in my head until I get behind the microphone. I never spend more than 30 or 40 minutes singing the vocal or it will sound mechanical. There are always mistakes, but it's about feeling more than being perfect.