I did start reading quite young but I was always read to by my parents, who are both actors. Bedtime stories from when I was about two/three to when I was about 15. In fact they didn't stop until I eventually kind of kicked them out of my bedroom.

We'll be back. I promise you that.

I mean I think children love the idea that there are different viewpoints and different words for things and different worlds. And the more that they pretend to be other people, the harder it is for them to hate them and misunderstand them when they grow up.

It would've been hard to do something else, to as it were, run away from the circus and become an accountant.

At heart, this job is about continuing to make great theatre for the people of Sheffield - a city I've known and loved since childhood.

I'm not very good at relaxing. Reading's the main thing. On the bus, on the tube, on the loo. Literally all the time. I mean, I don't think there's a moment of the day when I wouldn't be if I was left alone.

I did start reading quite young but I was always read to by my parents, who are both actors. Bedtime stories from when I was about two/three to when I was about 15. In fact they didn't stop until I eventually kind of kicked them out of my bedroom.

I'm lucky enough to work with, I think, the greatest writer there's ever been, Shakespeare. Whose collected works would always be under my pillow if I was only ever allowed one book to keep, and who never bores me.

Books don't exist unless you read them. And it's a two way process - you write the book as you read it and you fill in the gaps. You discover it and you put the marks together and without you doing it they're just marks.

I absolutely love working with my dad because there is such an ease about it, and I also love his company.

I am a coward, basically, but one of the things about acting is that you are always putting yourself through yet another test.

I really do think the things that make our society what it is are under threat. It should be about everyone having the potential to be what they're going to be.

I usually play toffs and soldiers, with a sideline in mass murderers.

I'm rather proud of having been a trainspotter.

If you play a part that's been done before, on stage for instance, you feel like you're carrying a torch and staggering under the weight of it for a bit and then passing it on to somebody else.

Most actors are socialists, aren't they?

Most good art is left wing. It's a moot point whether there is any good right-wing art.

My one remaining professional ambition is to read the shipping forecast. I live in hope.

Of course 'Hamlet' is a debate about the nature and morality of revenge and whether it is right to do something to assuage your angry feelings.

Stamps from Afghanistan are hilarious. You can tell when the revolutions are because suddenly they stop having pictures of the mullahs and the independence monument and they start having fish on them.

The idea that if you are very clever you shouldn't be an actor would be laughable in Russia.

What I do believe is theatre is a medium with a peculiar ability to air vital issues.

When people say, 'If I had my life over again I wouldn't do anything different,' well, I'd do everything differently just for the variety.

When you are in a bad production there are two things you can do. You can do your best or you can leave. I chose to do the third thing which was sulk.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

My favorite actors when I was a kid were in their '60s. Spencer Tracy, Humphrey Bogart, John Wayne.

I think it's hard to know. Feeling fulfilled, because actors face periods of unemployment, there is nothing worse than being at the top of your game; you have so much to give but do not have the platform to do this.