No, I feel like my personality probably influenced the character, more than the character influenced me.

But I just wonder what it would be like to be able to go places without people recognizing me.

You know what you are best at, and writing is just not my thing, but I like it.

I'm super shy, especially at parties.

I pretty much only write by default, because I want to make certain projects so instead of trying to wait and find them, I create them, but I'm not really a writer.

I like that kind of frantic schedule. It makes me feel like I have a purpose.

I like going to New York. I like the galleries and the theatre and the restaurants and bars and music. I think that city is more alive than Los Angeles.

Yeah, I started when I was 6 years old. My brother and sister would get all of these presents at Christmas time from the cast and crew of their show and I was jealous. So I decided that I had to become an actor.

I am pretty much a sucker any really bad reality television.

I flew back and forth and did episodes of Roseanne while I was at Yale.

A good place to start initially would be school plays.

Especially when you play a character for so many years, the character ends up reflecting a lot of who you are and I think I've changed a lot since then, but that represented a lot of who I was as a teenager.

No, I feel like my personality probably influenced the character, more than the character influenced me.

I'd like to do more stuff with less sarcasm.

I'd just love to have an audience and it's the most fun in the world to get a new script every week and have the audience come in, and work with those actors.

I do like to hang out in the corner and keep my eye on the party, or be outside in a smaller group.

The best thing about being an actress is getting good concert tickets.

My twin in the show is Molly Stanton who is so sweet and great and she is totally different from me.

I am ashamed to admit I watch a lot of reality shows like The Osbournes and The Bachelor.

I feel like there is just as much violent programming in other countries and there is not the same incidence of factors. I think there are other factors contributing to violence in this country and not the media.

I think I really see myself doing TV more than ever.

I became a vegetarian at age 13 because I was into animal issues and felt like it was kinder not to eat animals.

I think people sometimes get stressed out when they have a newborn and an infant. Try to enjoy it because the time is so fleeting, and soon enough, they'll be running around and be more independent. You're going to miss that time.

I was such a private person before I started 'The Talk.' I don't know what happened! It almost feels like I've started a second life. In my previous lifetime, I didn't talk about stuff. Now I'll discuss anything. It's crazy!

Respect your kids. They are their own people. I think sometimes we expect kids to be perfect when we're not perfect.

You can't be a perfect environmentalist unless you're Ed Begley, Jr., whom I once saw on TV using a bicycle to power his toaster. He's amazing.

You want to keep the severity of our environmental problems in mind enough to keep yourself motivated but not enough to paralyze you into depression.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.