Sometimes I panic and think I can't really write.

Capo, my first golden retriever, so loved to swim she once jumped off a cliff to get into Lake Superior.

I have a friend who lives in the South Side of Chicago. I helped out at a church charity there where they try to give a bit of cohesion to a desperate area. Everyone was very welcoming.

I live and die with the Chicago Cubs.

No agent wants to see a book until he or she has decided whether to pursue the relationship.

I love to sing. I'm a soprano.

The best source for finding an agent is called Literary Agents of North America. It's a complete list of agents, not only by name and address, but by type of book they represent and by what their submission criteria are.

I thought it was time for a tough, smart, likable female private investigator, and that's how VI came to life.

Reviewers said Ghost Country was rich, astonishing and affecting in the way it blended comedy, magic, and a gritty urban realism in a breathtaking ride along Chicago's mean streets.

I realised I'd never climb Everest but thought I could still write a book.

Around the time I turned 30, I wanted to publish a novel.

Write what you care about.

I'm a daydreamer.

The crime novel has always been my favourite genre.

My parents were liberal intellectuals but even they expected me to stay at home and look after my younger siblings and do the housework.

I grew up in conservative rural Kansas in the 1950s when it was expected that girls would not have a life outside the home, so educating them was a waste of time.

I spent 10 years as a marketing manager. I've found my experience in the financial world invaluable background for writing about white-collar crimes.

It took me nine months to write 60 pages. It was very frustrating.

I went to college at the University of Kansas, where I got a degree in political science.

Sometimes I think I'm a one-trick pony because I'm not very inventive about new ways of telling stories.

I'm a grandmother, and a mighty proud one.

Sisters in Crime now has more than 4,000 members worldwide.

I always wrote; my first story was published in the magazine The American Girl when I was 11.

Most people don't have the money to spend on advertising to create awareness among readers, nor do they have the contacts at newspapers or magazines to get their books reviewed.

I'm very honoured that there is a loyal following and I hope it continues.

Sometimes I panic and think I can't really write.

White-collar crime gets more outrageous by the second in America.

I'm lucky in having found the perfect partner to spend my life with.

I had wanted to write Ghost Country for a long time, but it wouldn't work.

The possibility of bringing white-collar criminals to justice is ever receding over the horizon.

People have less privacy and are crammed together in cities, but in the wide open spaces they secretly keep tabs on each other a lot more.

I wish I could remember where I put things. I spend half my life looking for my keys. With the other half I look for my glasses.

You get weird and unsettling behaviour in the country.

In 1986 we were trying to help women get in print, stay in print, and come to the attention of booksellers and libraries. At that time, books by men mystery writers were reviewed seven times as often as books by women.

Live disasters are wonderful attractions when youre safe on the other side of them.

When you feel lousy, puppy therapy is indicated.

Have you ever felt really close to someone? So close that you can't understand why you and the other person have two separate bodies, two separate skins?

I was the tallest guy in the school, and I was very conscious of being larger than anybody - classmates and teachers.

We've all known a John Tucker. We've either known one, dated one or our best friend has dated one. I think a lot of men at one point or another have been a John Tucker.

The political process does not end on Election Day. Young people need to stay involved in the process by continuing to pay attention to the conversation and holding their leaders accountable for the decisions they make.

So much of television is incredibly predictable. You watch the first five minutes and you know where it's going to go. If you can just create an element of surprise in both the storytelling and tone of a show, you're going to be way ahead of the pack.

The Indian story has never been written. Maybe I am the man to do it.

I think actors are attracted to the idea of other identities and concealing themselves behind some other identity.

I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.

This assumption that the blue collar crowd is not supposed to read it, or a farmer in his overalls is not to read poetry, seems to be dangerous if not tragic.

It's always a little mind-boggling to realize that these famous actors know who I am.

Connection is very important. It's extremely important for me to be connected and sharing with other people, giving them what I feel is important.

Once a refugee, always a refugee. I can't ever remember not being all right wherever I was, but you don't give your whole allegiance to a place or want to be entirely identified with the society you're living in.

It was go-along to get-along social. It was living in Los Angeles, being young and single, and flowing with the trendy liberal crowd.