Fame is a very confusing thing, because you are recognized by a lot of people that you've never seen before, and they're at a great advantage.

And so figure skating was a great vehicle for me to kind of be competitive at something, without having to be big.

I had a ninth grade teacher who told me I was much smarter and much better than I was allowing myself to be.

What was really funny is that as I got older all those guys who called me a sissy in junior high school wanted me to be their best friend because they wanted to meet all the girls that I knew in figure skating.

I started skating and I kind of liked it because I could run circles around the guys that wouldn't pick me to play baseball.

Always try to maintain complete tolerance and always make an effort to give people more than they expect.

Half of figure skating is opinion, convincing judges.

Male figure skating is different than female figure skating; we're not America's sweetheart.

Adversity, and perseverance and all these things can shape you. They can give you a value and a self-esteem that is priceless.

So as an amateur Olympic competitor I loved criticism, because it made me better. But now as a professional I don't really know how to channel it or where to take it, so I don't take it quite as well.

But I never really thought that I would be extraordinarily successful at skating, it's just something that happened, you know.

I was nine-years-old when I first put on skates.

Everything that I've ever been able to accomplish in skating and in life has come out of adversity and perseverance.

The only disability in life is a bad attitude.

I'm very accessible. I don't get into this ego thing.

Most other competitions are individual achievements, but the Olympic Games is something that belongs to everybody.

I just try to touch people's hearts in a way through skating, so they're not just witnessing a performance, they're feeling a performance and they're a part of it.

Rationality is not one of this industry's attributes.

I was more interested in skating and the girls and traveling than I was in calculus.

When you turn professional, you become an entertainer, and like every other entertainer, you don't want to get a bad review.

When you're expected to win and you have the press saying that you are going to win the Olympic gold medal, and you're the only sure thing in the Olympics, it can undermine your confidence.

I didn't want to be the sissy figure skater, you know.

The high road is always respected. Honesty and integrity are always rewarded.

Without strength and courage it's really hard to perform at the highest levels of international figure skating, because you're alone on the ice and you only have seven minutes over two nights to prove yourself.

Fame is a very confusing thing, because you are recognized by a lot of people that you've never seen before, and they're at a great advantage.

That's what makes the Ryder Cup in golf so much better than the Masters or the U.S. Open. To be a part of something that is not about personal achievement, but about representing everyone and sharing it with the whole country, it's wonderful.

And the fact that I liked to show off and be the center of attention really lends itself to figure skating very well.

From the fall of October, 1980 to March, 1984 I never lost a competition.

I don't think most teachers realize how much impact they have.

I graduated a the top of my class in the '84 Olympic Games; I won a gold medal.

Male figure skating is different than female figure skating were not Americas sweetheart.

Without strength and courage its really hard to perform at the highest levels of international figure skating because youre alone on the ice and you only have seven minutes over two nights to prove yourself.

Half of figure skating is opinion convincing judges.

Maybe it's my 15 minutes of fame, maybe it's longer.

The present condition of fame is merely fashion.

The fame aspect of winning the Masters... besides being married and becoming a father, that's a strong third there.

Fame and tranquility can never be bedfellows.

The best people renounce all for one goal, the eternal fame of mortals; but most people stuff themselves like cattle.

I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.

I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years.

But once I acclimated and really used fame for what it was offering me as a tool to serve my life purpose of inspiring and contributing, then it started to get fun again.

Every day I work at not taking this fame thing seriously. Fortunately I have a great group of friends who help me do this.

I've experienced as much fame as I ever want to.

There is not in the world so toilsome a trade as the pursuit of fame; life concludes before you have so much as sketched your work.

It was never the fame or fortune that drove me to act. It was something I love and enjoy doing it. A lot of people identify who they are by what they do and that's not me. It's what I do but not who I am. Who I am is a parent. I'm a family man.

I'm the age now that Rock was when he picked me up, so I can understand how he felt - how his fame limited his freedom. You get kinder as you go along.

Don't confuse fame with success. Madonna is one; Helen Keller is the other.

Sometimes I'm uncomfortable with the level of fame I've got! It all depends on the day and what's going on. I don't desire any more fame. I don't need it.

Luckily, thanks to the way my parents taught me, I think I can handle the fame in the right manner.