I tend to write in the mornings.

The great break of my literary career was going to law school.

I tend to write in the mornings.

If life's lessons could be reduced to single sentences, there would be no need for fiction.

People talk of me as being the inventor of the legal thriller.

On the streets, unrequited love and death go together almost as often as in Shakespeare.

The prosecutor, who is supposed to carry the burden of proof, really is an author.

The one thing I would like more credit for is being part of a movement which involves recognising the importance of plot and asserting that books of literary worth could be written that had plots.

The purpose of narrative is to present us with complexity and ambiguity.

Postmodernism cost literature its audience.

'Black Beauty,' by Anna Sewell, remains a star-dusted memory because my mom read it aloud to my sister and me at night for months. I was no more than 7.

'Presumed Innocent' was written over a six to seven year period with intervals in between where I was figuring out the end of the book and writing other stuff... My life as a writer was carried on against the odds. I had written four unpublished novels by then... as a writer of fiction, I hadn't gotten very far. I just wanted to do it.

All my life, I've wanted to write a book inspired by my relationship with my grandfather. Basically, my grandfather was a guy who everybody in the family regarded as disagreeable at best. But I loved him intensely. He was wonderful to me.

All my novels are about the ambiguities that lie beneath the sharp edges of the law.

Amazon can't be all good or all bad. I don't think that everything they do is evil; they've given a lot of authors access.

Americans have grown a great deal more realistic about lawyers and the law. I think that's all for the good. A lot of people will say to you these days, 'If you are looking for justice, don't go to a courtroom.' That's just a more realistic perspective on what happens in the legal process.

Because I spend so much time traveling, I tend to do most of my reading on the same iPad on which I write. For me, it's words, not paper, that matter most in the end. This practice has had the additional benefit of greatly reducing the time I spend storming through the house, defaming the mysterious forces who 'hid my book.'

Being a lawyer, even in a city as large as Chicago, is like being a citizen of a small town. I love watching the life of the town play out. You know, the rise and fall of individual lives in the entire community is just fascinating to me.

For thousands and thousands of American kids, libraries are the only safe place they can find to study, a haven free from the dangers of street or the numbing temptations of television. As schools cut back services, the library looms even more important to countless children.

Generally, I like to write in the morning before all the dust of dreams has blown away. Beforehand, I read two papers, cook my breakfast and then settle down in front of the word processor, usually by 8 A.M. I'll write, and then check e-mail or voicemail when things stall.

I adore the company of other writers because they are so often lively minds and, frequently, blazingly funny. And of course, we get each other in a unique way.

I always say, and I mean it, that the great break of my literary career was when I went to law school.

I am a big believer in the fact that all authors really write only one book.

I count myself as one of millions of Americans whose life simply would not be the same without the libraries that supported my learning.

I don't like re-writing very much. The fourth and the fifth draft - that's too much like work. There's not much inspiration about it, and the lawyerly side kicks in - being very careful and somewhat technical.

I grew up on the north side of Chicago, in West Rogers Park, an overwhelmingly Jewish neighborhood. When I was 13, my parents moved to Winnetka, Illinois, an upper class, WASPy suburb where Jews - as well as Blacks and Catholics - were unwelcome on many blocks. I suffered the spiritual equivalent of whiplash.

I hate second-guessing other lawyers because I know that I've tried and lost cases, and somebody could sit there and say, 'Should have done it this way,' and they'd have been right.

I keep two sentimental mementos on my desk to remind me of two favorite men. There is an inkwell that my Uncle Seymour made, a brass grotesque he mounted on a marble base. And my grandfather's shaving cup is there, used to store pencils and pens.

I practise law almost every day. Exclusively criminal work these days.

I read little nonfiction, but I have no boundaries about the fiction I relish. The only unfailing criterion is that I can hitch my heart to the imagined world and read on.

I really believe that the movie will never be as good as the book, both because the book goes on longer - a movie is basically an abridgment of a book - and because books are internal. But they are incredibly powerful. The visual format is, you know, amazing.

I tend to start with a kernel, a vague concept, and just begin to write things down - notes about a character, lines of dialogue, descriptive passages about a place. One idea fires another. I do that for about a year. By then there's a story, and I'll go on to a complete first draft that sews many of those ragtag pieces together.

I think lawyers have a fidelity to the system itself that's always got to be with them, and indeed, most of the defense lawyers I know observe that.

I think one of the blessings that I've had in watching, you know, films be made now from four of my books is to realize that it's a separate thing. It's a separate work.

I trained as a writer before I became a lawyer. I was headed for a life as an English professor, but that just wasn't me. I'm not a scholar; I didn't have a scholar's attitude toward literature.

I was one of those kids who never wanted to be anything but a novelist. And I don't know a lot of people who truly live the life that they dreamed of.

I write based on powerful inner impulses, and those seem to shift over time.

I'm a computer guy, and one of the things I did with the good fortune that 'Presumed Innocent' brought me was to buy one of the very first laptop computers. It weighed about eight and a half pounds, by the way.

I've become President of the Author's Guild, and, in part because they thought I had to know what I was talking about and also as a sort of coronation present, they got me an iPad. And I have to tell you, I'm crazy about it. It's got some bugs, but it's basically replaced my laptop. I'm very happy with it.

In re-reading 'Presumed Innocent,' the one thing that struck me - and I re-read the book four different times in writing 'Innocent,' interested in different things each time - but I did think there were a couple of extra loops in the plot that I probably didn't need. The other thing that sort of amazed me was how discursive the book was.

Libraries function as crucial technology hubs, not merely for free Web access, but those who need computer training and assistance. Library business centers help support entrepreneurship and retraining.

Like most Americans of my age, I was very impressed by the dynamic capacities of the law, demonstrated by the Civil Rights Movement and then Watergate, animated by Sam Ervin's mantra that no person is above the law.

Los Angeles for many years had operated with a police department that was far smaller than other police departments had in areas of comparable or larger size, New York and Chicago being the most obvious examples.

Musicians make up for the copies of their songs that get pirated by performing live. I don't think there will be as many people showing up to hear me read as to hear Beyonce sing. We need to make sure piracy is dealt with effectively.

My sister was a twin, and the other baby died in childbirth, and I was three at the time, and I always kind of thought it haunted me. It was a weird thing. My dad was an ob-gyn, and so it was confusing that the other baby didn't come home from the hospital.

Now, many public libraries want to lend e-books, not simply to patrons who come in to download, but to anybody with a reading device, a library card and an Internet connection. In this new reality, the only incentive to buy, rather than borrow, an e-book is the fact that the lent copy vanishes after a couple of weeks.

The American preoccupation with the law, which is certainly not past, was at its zenith in 1995. The 1980s, the late 1980s, had sort of begun to percolate up to public consciousness this enormous interest in the law.

The first time I remember really being excited about a book was 'The Count of Monte Cristo.'

The hardest part is not to repeat yourself. I don't really believe my core obsessions are going to change, but you need to look for ways to express them that are different. The main reason for doing that is not to bore yourself, and obviously, I don't want to bore readers.