Generally what I produce is new. Of course, they are often variations on the same subject.

The reason I love comics more than anything else is that the longest story will be just a few pages. With a novel, it takes so many pages to get to one thing happening.

I think that true horror is accomplished by slowly getting into your brain. The old way is much more scary.

I have 40 years of unpublished material, the ones they don't pick, and the reason I don't redraw them or use them again is that I like to use my brain every day and come up with new jokes.

I'd love to do a whole series of stories and have them collected into books.

When you're drawing comics, you get very involved in how the story is going to develop and you spend more time daydreaming on that particular subject.

I keep very weird hours. I never know when I'm going to get an idea.

Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.

I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.

Generally what I produce is new. Of course, they are often variations on the same subject.

If the gag is complicated, you spend more time thinking about the way you're drawing it.

With Groo, I try to do one story every book. Sometimes the stories are better if they go a little longer, and I choose to do it in four issues.

The sad events that occur in my life are the sad events that happen to everybody, with losing friends and family, but that is a natural occurrence, as natural as being born.

Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design.

My best sources are my travels and my collection of National Geographic.

The Western, when I do one, will be one long, continuous story.

Once you've established where you are, you go to the character and elaborate on expressions and action.

When sadness happens in the middle of work, I separate my personal grief from my train of thought.

At the end of the '60s, I was trying to enter the world of comics.

Eventually I would like to touch all the genres. I would like to do some detective stories, and I want to do a Western. I would want to do humorous Westerns.

The Boogeyman is your conscience. The Boogeyman is the result of your own bad behavior. I love this Boogeyman.

Comics is a great medium to get a lot of stories out.

For every issue, I send four pages of finished marginals and they select the ones they need.

Anyone can write a story based on the kind of horror where you see a guy in car and then there's the bad guy in the back seat. It's infantile to rely on that for telling a story. That's like going to bed and thinking there's a monster under your bed. It's silly.

I live in a very small town and now that I've closed down my studio, I'm working at home.

I don't enjoy the boo scare when you're watching a movie and then suddenly there's a big shark on the screen. The only thing they're doing is catching you off guard.

My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.

I just moved into the world of Xbox Live. And I've discovered that everyone on the Internet is a lot better than me. I spent half an hour the other day designing a boxer, and I got knocked out twice in the first round.

Today, tomorrow and every day, we will see at least 2,000 young children killed or seriously injured on the world's roads. This is unacceptable, preventable, and we have to stop it. We have the vaccines for this disease: helmets, seatbelts, speed enforcement, safe road design. We just need to use them.

Violence does not contribute to anything.

I have a great deal of respect for Wisconsin workers.

If you can live in Vegas, or visit Vegas, and leave in one piece, still loving it and somehow laughing about it, you should spend at least part of your last night in town doing something that will serve you well no matter where you go next: thank your lucky stars.

There is a saying: 'The child is parent to the adult', which means whatever happens to you as a child or teenager affects the adult you become. You are forged in your history. And fiction is an incredibly important force in shaping children, and that's why fiction needs to be diverse.

We can't deal with the flood in the orchards until we cap the floodwaters coming into them. And that means giving our Border Patrol the total resources they need to get their job done, and even utilizing military personnel in particular hot crossing spots.

Thatch your roof before rainy weather; dig your well before you become parched with thirst.

I've only had good experiences with actors. Starring next to them and directing them, for the most part they're all inspiring, special people.

He was somebody who made me think, I suppose, about the contemplative life. I've always been a city fellow, but I've often had vague thoughts about 'checking out' and perhaps going into a monastery and just seeing what it was like.

The notion that female initiative is useless because men know what they want is particularly odd - most people don't even know what they want for dinner.

The accent in England can change literally from street to street, and people have this sort of feudal tribalism whereby you can identify somebody's provenance by their voice.

If I print something out, I just spend all my time trying to find where I've put it down.

The vast majority of people who have mental illness problems never hurt anybody.

You don't get anything worth getting by pretending to know things you don't know.

As the 2012 elections approach the finish line, the chatter among columnists and political reporters is about upcoming books that take readers inside the campaigns, cutting-edge efforts to micro-target voters on Internet social applications, the enormous money flowing through super-PACs, and extreme political polarization.

What fascinates me are the turning points where history could have been different.

Live mindful of how brief your life is.

Many anthropologists work with a concept called embodied knowledge - tacit, nonscientific knowledge - and look for ways to incorporate such information into product design.

When you have an asteroid threatening Earth, it's uncertain where it's going to hit until the last minute; the decision to take action has to be coordinated by the international community.

I believe that the development of language - of naming, categorization, conceptualization - destroys our ability to see as we age.

I think it's important to recognise that 'The Da Vinci Code' opened up a vast new audience for a general readership interested in historical detective stories and research into history.