There's a great difference between being popular and being an artist.

There's a great difference between being popular and being an artist.

The only people you can really share certain things with in secret are your girlfriends.

It's no accident that Tony Hopkins is a wonderful film actor.

There are things that you cannot talk to your mother and father about, there are things that you cannot talk to your children about.

When you're a woman in your 40s, it's not the best time to do films, because there really aren't that many roles. Then you reach 50 and there are more roles again. Mother parts.

There's no place to act in Kansas. You're supressed.

So many directors are solely focused on their own success in Hollywood and multimillion dollar budgets and deals.

I took individual photographs of Annie Liebovitz, I kept taking her picture.

I just let the character speak to me and things appear.

Men are allowed to get older and women are not.

My acting career helped pull me through the rough times.

They said this is Vanity Fair, and I said, Oh, I already take the magazine. They said Annie Leibovitz wants to take your picture and I thought, How nice!

The thing that separates a so-so director and a great director is a love and caring for film.

I moved to LA and decided to do films and television, mainly because the theater in New York is totally dead.

I'm writing a book and working on my one-woman show, Learning To Be Human.

I did the occasional odd film, like Endless Love.

This house was our dream-the gardens, the study, even the swimming pool. Even though I can't see John when I wake up in the morning, I can always feel him here with me.

Film actors reach a certain level, but they don't get beyond it unless they work in the theater.

I got an agent and went up for the part of my first film, Five Gates to Hell.

My goal was not to be famous or rich but to be good at what I did. And that required going to New York and studying and working in the theater.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.

An artist, under pain of oblivion, must have confidence in himself, and listen only to his real master: Nature.

What is it they want from the man that they didn't get from the work? What do they expect? What is there left when he's done with his work, what's any artist but the dregs of his work, the human shambles that follows it around?

No artist work is so high, so noble, so grand, so enduring, so important for all time, as the making of character is a child.

I left Jamaica for a while, because as an artist I need to experience different things, see the world, have different energies. Living in one place is not good for me.

A young and vital child knows no limit to his own will, and it is the only reality to him. It is not that he wants at the outset to fight other wills, but that they simply do not exist for him. Like the artist, he goes forth to the work of creation, gloriously alone.

Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.

My parents always saw me as an artist, and that greatly influenced me.